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... imed for form, mind, and heart.


Painting wasn’t a complete replication of reality. Instead, it was a fusion of the features and charms extracted from reality with the painter’s internal understanding.


Paintings originated from reality, but they also transcended reality.


It was the same for cultivation. As a cultivator, Meng Chuan observed the operations of the world and comprehended everything in the universe. He used his heart as a painting and extracted his ...

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