MTL - The King - Chapter 373 longest road

A fighting genius.

While the demons were rising, mankind was about to become extinct. Six temples rose and protected the last territory of mankind.

The Third Dimension is collapsing. The Fourth Dimension is descending.

First it seemed that only technology would evolve, but who knew the world itself could too? It wasn’t as simple as climate change or tectonic movement. No, the fundamental laws of physics that governed everything were changing.

Leonel was fairly lucky. His family was decently well off, his father loved him enough to brew vomit inducing nutrient rich smoothies every morning, and this was both the day of the National Championship and his 521st confession to his dream girl, Aina. As his father always said, nothing was more important than respect and persistence.

Unfortunately, everything changed that night. At the after party of ages, the world reached a saturation point and an apocalypse descended.

Abilities awakened. Sub-Dimensional Zones opened. Invalids rampaged through the Earth like a virus…

Those who could evolve would have a slim chance for survival. Those who couldn’t would die.

This novel will be a unique spin on the dungeon/system genre. Dungeons won’t be dungeons and the system won’t be a system… Take a look to find out what I maen :)

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.