Lady Lin's First-ever Journey to Immortality - Chapter 15: Tall Man’s Trouble

Zhang Gong decides to learn light magic, a magic few show interest in and eventually becomes the legendary Grand Magister. While trying to end the continent’s east and west separation in order to unite all of the different races, he becomes every race’s Child of Light.

As the final dragon lay defeated, Aaran stared at the sky while the rest celebrated.[Awaiting the gods’ response...]He clenched his fists, his heart pounding. A shred of hope flickered in his eyes, only to be extinguished like always.[The attained outcome was deemed unsatisfactory.]Aaran had seen the message for the twentieth time. He had become the gods’ plaything in their desire to witness the “perfect ending”.He regressed once again, but this time as a toddler and charm being the only stat he had.But something was amiss. The world he remembered had changed. Powers that did not exist before had taken hold of the world.Tired of following the traditional route, Aaran chose to fight darkness with darkness… as the gods’ chosen necromancer!

Lin Jiufeng transmigrates to become the Yuhua God Dynasty’s Crown Prince but is dethroned, banished to the Cold Palace, and imprisoned there because he had released the holy maiden of their rival country.

Lin Jiufeng isn’t dejected. He has brought a sign-in system with him when he transmigrated and he would receive rewards when he signs in at different places.

Before the Cold Palace’s gates, he signs in and receives the Ultimate Heaven Slashing Sword Skill!

In the Great Council Hall, he signs in and receives the Heaven Patching Technique!

In the Empress Dowager’s palace, he signs in and receives the God of War Totem!

…

Liu Jiufeng imagines that he can quietly sign in like this until he becomes invincible. Yet who would have imagined that the Heavenly Concubine whom he secretly released would rise in rebellion and seize power after she returns to her country?

After she succeeds, her first priority is to attack the Yuhua God Dynasty to rescue Lin Jiufeng.

When Liu Jiufeng hears of this news, he’s puzzled. «Do I need you to rescue me?»

Lancelot Haier came from a dynasty of politicians who had ruled with tyranny and oppression. Despite those origins, he despised his family and was willing to help the citizens who had long suffered under their rule.However—before he even had the chance to change his country, the people revolted. His entire family was executed, and he was killed along with them. In his final moments, he wished for a second life—one where he could redeem himself and carry the sins of his bloodline.Unexpectedly, that wish was granted.He was reincarnated into another world as the crown prince of the Kingdom of Aragon. But in this world, everything felt backward.The country was ruled by an absolute monarch. Feudalism was the norm. Technology resembled that of the late 1700s.Fortunately, in his past life, he had earned degrees in both mechanical engineering and political science—knowledge he once hoped to use to reform his homeland. Now, it seemed he would use them here instead.He would use his modern knowledge to transform the lives of his people, industrialize his territory, gain the upper hand in technology, and form alliances with foreign nations—all while navigating the treacherous waters of internal affairs and politics.P.SWhile Reincarnated as the Crown Prince draws inspiration from historical settings, political systems, and technologies of the late 17th and early 18th centuries, this work is entirely fictional.All characters, governments, names, and events—although some may resemble real-world history—are products of the author’s imagination or are used in a fictionalized, altered form for narrative purposes.This novel is not a historical account. It should not be interpreted as a factual representation of any real monarch, nation, revolution, or political figure.Lancelot Haier, his backstory, and the alternate version of different kingdoms portrayed here are entirely original creations. The inclusion of familiar concepts like feudalism, industrialization, and political reform serves the plot and world-building, not historical documentation.Readers seeking accuracy in history are encouraged to consult verified academic sources. This story is a creative work meant for entertainment, character development, and speculative exploration of “what-if” scenarios rooted in alternate history.Thank you for reading, and I hope you will enjoy the journey.