Apocalypse: I Can See the HP Bar, Killing Monsters Drops Loot - Chapter 179 - 111 Please do me a favor_3

On the Star Network there is a gourmet food broadcast, where all you can see are a pair of hands. However each dish that this broadcast comes out with is earthshakingly delicious. What’s more, the broadcast anchor’s voice is simply perfect!

What? He’s transmigrated into an apocalyptic novel?

What? He transmigrated into a white lotus?

What? The white lotus killed the main character shou (bottom, uke) and even proudly became a mistress?

Oh, luckily the white lotus in the apocalypse has a thick thigh to hold on to (someone to rely on).

What? This was actually an apocalyptic rebirth revenge story?

What? The thick thigh was actually a really big cannon fodder?

Therefore, this is the dramatic story of a man who transformed into a white lotus struggling to survive in an apocalyptic rebirth revenge novel, trying to avoid the reborn pig’s foot (the original main character), and trying his best to get away from the cannon fodder gong (top, seme).

- Description from Novelupdates

Eight hundred years ago, Xie Lian was the Crown Prince of the Xian Le kingdom. He was beloved by his citizens and was considered the darling of the world. He ascended to the Heavens at a young age; however, due to unfortunate circumstances, was quickly banished back to the mortal realm. Years later, he ascends again–only to be banished again a few minutes after his ascension.

Now, eight hundred years later, Xie Lian ascends to the Heavens for the third time as the laughing stock among all three realms. On his first task as a god thrice ascended, he meets a mysterious demon who rules the ghosts and terrifies the Heavens, yet, unbeknownst to Xie Lian, this demon king has been paying attention to him for a very, very long time.

- Description from Novelupdates

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.