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... d small, curled up in on itself. It was maybe five or four years old, but from size it looked younger, starvation pulling its skin taut and tracing out its skeleton. Skin burnt by the harsh sun. Eyes glossy and sightless. Lips stained by blood.

The child would surely die soon.

This situation was hardly uncommon, especially in this part of the galaxy. For the last year or so, the Yurt -- one of the ten grand families of the Great Chain -- had been blockading this region, preventin ...

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An aloof, murder happy father? Check.

Psycho half-sister? Check.

Meddlesome author who wants me to follow the script? Double check!

I don’t want to die an early death again, so I’m determined not to ever be discovered as a royal again. But before I know it, I’m trapped in a palace of blood and opulence playing tricky games of power, games I have no clue how to win. How will I survive to adulthood in the imperial palace and get my happily ever after? And am I really the only person who fell into this world?

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Every novel has a slag character, the one who decides to abandon the protagonist at his lowest, most helpless point, either because he can’t stand the poor guy’s circumstances or for other reasons. But after the protagonist wins his way in life again, they’re the ones who beg with broken sobs to be taken back.

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*water recovery – comes from an idiom that means “spilled water can’t be recovered” (English equivalent: there’s no use crying over spilt milk).

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