MTL - Rebirth of Hong Kong’s Glorious Era-Chapter 51 Expressionism

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When the girls heard Li Wansui say this, they covered their mouths and laughed lightly. Both Gao Miaosi and Wang Mingquan felt that Li Wansui was not hypocritical.

Zhao Yazhi, who caused Li Wansui to be pranked because of her own rumors, secretly saw Li Wansui wash his feet in cold water for a long time because of her words, and felt a little guilty. After listening to Li Wansui's generous confession that he was here for the beautiful woman, he felt that this person was frank. It's strange that a man is not lustful, it's rare for a man like Li Wansui to admit it.

Liao Anli felt that Li Wansui had exposed her lustful nature.

Zhao Yazhi jokingly said, "A Sui, have you found it?"

Li Wansui didn't answer directly. Zhong Chuhong was about to come to the wireless beauty pageant, and it was not very good to tell the relationship between the two. In this era, celebrities' personal affairs are relatively taboo. I don't care, but Ah Hong is soft on the outside and tough on the inside. At that time, it is affecting the development of her career, and she is unwilling to accept her own help, it is better to keep it secret. He replied directly: "Haha, Confucius said that it is delicious to eat, I am just here to seduce the eyes."

Wang Mingquan also teased and said, "A Sui, people like you who have no ideas in your heart are usually the most greedy. I think you want to catch everything in one go."

Everyone laughed, but Liao Anli nodded in agreement.

While talking and laughing, everyone came to the studio.

It is also the first time for Li Wansui to come to the studio. In his previous life, he heard that many TVB dramas were arranged in the studio. When he saw it at this time, his reputation was well-deserved.

The blue sky and white clouds and the blue sea are surging, but they are all arranged canvases. You can see that there are some wrinkles in the corners of these canvases. They are all old and have been used many times, but they are well preserved.

In the studio, there is also a wooden boat, but this boat has only the bow, no stern, and only half of the expressiveness. The bottom is fixed with several iron frames. In order not to wear it, the staff is throwing dry ice to create a kind of The feeling of being surrounded by clouds and mist on the sea, the fog condensed from the dry ice just blocked the iron frame, and people could not see the ground. Presumably after the filming, the effect will make the audience feel that a big ship is docked by the sea at this time.

This is Chu Liuxiang's home, a big ship docked at sea.

Li Wansui opened his eyes and had to sigh that the Hong Kong film and television industry is really omnipotent, and it is also a complex of contradictions.

In terms of cost savings, racking their brains to choose 'fake'. But in order to create the best effect in the studio, it took a lot of hard work and hard work.

At least for Xiangjiang viewers who grew up watching TVB dramas, they not only recognized this shooting method, but even most people thought these scenes were real.

Seeing that the preparations were almost done, Wang Tianlin walked over to the camera and shouted, "Okay, take your seats, prepare to shoot the second scene, and have dinner after filming."

Everyone raised their spirits, and Li Wansui also boarded the bow and got ready. Half lying on the chair on the deck, a pair of bare feet resting on the pedals, the whole person is lazy, squinting slightly, there is a round table on the right hand side, and there are exquisite wine vessels on the table.

Wang Tianlin shouted: ""

There was a "click", and the sound of hitting the board sounded, and the entire drama owner was silent for a moment.

Li Wansui looked a little drunk. He recalled in his mind the lazy and slightly drunk posture of drinking too much. He relaxed every muscle in his body, half-squinted his eyes, picked up the wine glass beside him, and sipped the wine. on.

Most of the heroes written by Gu Long are good wine, and Chu Liuxiang is no exception.

Li Hongxiu, played by Gao Miaosi, walked out of the cabin, tiptoed to Chu Liuxiang's side, stretched out her slender hand, and scratched at the heart of Li Wansui's bare feet.

Li Wansui endured the itching of the soles of his feet, did not open his eyes, and said casually, "Tian'er, Miss Song, can you let me bask in the sun?"

"Who said I was Song Tian'er? People say that Chuliu spice is like a god, but I don't think so." Gao Miao missed her lines, and there was a kind of resentment in her expression that her sweetheart had been mistaken.

Li Wansui opened his eyes and said lazily, "Ah, Hongxiu, I've walked hundreds of miles. Can you give me a break?"

At this moment, a fish flew up, Li Wansui flicked his fingers, and the prop fish fell to the ground.

Song Tianer played by Liao Anli appeared.

The second scene that Li Wansui filmed at this time was actually to draw out the three girls beside Chu Liuxiang. After Li Hongxiu and Song Tianer appeared, they would bring out the role of Hu Tiehua played by Wu Mengda. During the broadcast, the scene would switch to the tavern, and then Li Hongxiu and Song Tianer would appear. At the request of Chu Liuxiang, Hongxiu went to find Hu Tiehua who was already drunk, and paid Hu Tiehua the wine owed to the tavern. The two returned to the boat together, and only Su Rongrong, played by Zhao Yazhi, would appear.

However, the TV series naturally has its shooting requirements. This scene will save the scene of the tavern and go straight to the end, skip the wine pipe scene, and shoot Su Rongrong's appearance, so that the actor's state will be maintained very well, and it will also save a lot of time. This is the second play.

The picture in the tavern is the third scene. After the filming is completed, the editor will edit it, so that the audience can see the correct plot. How to save time in the filming of TV series.

The shooting continued. Wu Mengda and Li Hongxiu, who had just disappeared from the camera, re-entered the country. Wu Mengda said, "Where's Rongrong?"

Li Wansui shook his head gently from side to side, and said at the same time, "You are a strange person. Others don't remember anything after drinking. Only you can remember things. It seems a little late to think of Rongrong now."

After reading this line, Li Wansui was also very much looking forward to Zhao Yazhi, the goddess of the previous life and the dream lover of the vast number of compatriots.

Zhao Ya, dressed in an apricot-yellow gown, came in a rush, like a fairy in the clouds. Her black and white are clear, her eyes are bright; her eyebrows are high and beautiful, and her skin is fair and can be broken.

Zhao Yazhi opened his mouth lightly, facing Hu Tiehua played by Wu Mengda, and said with a gentle smile: "You finally remembered me, as long as you remember me, I am already very happy."

The voice was soft and mellow, but very gentle.

Li Wansui was also a little dazzled, but at this time it was not appropriate to think wildly, and immediately gathered his mind.

The camera has been filming, and Li Wansui's performance is very smooth. He feels a little embarrassed in some places, but Wang Tianlin has not moved. He pays attention to the performance of Wu Mengda, who is also an actor, and finds that he is only slightly inferior to Wu Mengda.

It's not that Li Wansui's acting skills are very good, but that Wu Mengda is not yet at the level of the future. He is just a fledgling guy with very young acting skills. In some places, Li Wansui felt that Wu Mengda was stiffer than him.

The second scene ended with Wang Tianlin's "ka".

Wang Tianlin called Li Wansui to his side and said, "Ah Sui, the performance is not bad, which is beyond my expectations, but in some places, especially your smile, do you know that your smile is very stiff?"

Li Wansui has this feeling. In the novelist's writings, the heroes in the TV series often laugh in order to express their heroic atmosphere. When he was an audience, he didn't think there was anything.

But when he performed it himself, he laughed at this kind of thing that was not funny at any time and place. Often a good friend or a confidante laughs at a word, and he resists a little, feeling very brainless.

Wang Tianlin saw that Li Wansui was lost in thought. He knew that Li Wansui was comprehending what he said. After waiting for a while, he saw that Li Wansui's eyes were sober, and said, "What do you think?"

"Chu Liuxiang is originally fictional, everything in this story is fictional, why should I think about the rationality of his behavior? Why should I resist him, my problem is to bring myself into Chu Liuxiang, always Thinking about whether he should laugh, in fact there is no need, Chu Liuxiang is fictitious, and I am not Chu Liuxiang, if the script arranges for Chu Liuxiang to laugh, I should think of happy things and laugh, I am just playing him."

After talking to Wang Tianlin, Li Wansui seemed to be asking himself a little bit. After saying this, he was completely awake and said, "Uncle Tianlin, I'm sorry, I'm a little lost."

Wang Tianlin said with a smile: "A Sui, you are a talented person. You are smart enough to jump from the experience school to the method school in one day."

Wang Tianlin found that Li Wansui's head is very alive, that is, full of spirituality. If an average newcomer chooses the experience school, that is, he wants to be brought into the role of Chu Liuxiang and experience his pleasure, kindness and hatred, and slowly he will think that he is a Chu Liuxiang.

When other newcomers were pointed out by him as fake laughter, the solution is to re-experience the role, until they fully understand why they laugh and have an emotional resonance with the role they are playing, and then they can solve the fake laughter problem. This method is time-consuming and relatively time-consuming. many. Wang Tianlin is quite worried about the fact that it takes too much time. Generally, newcomers who have never acted will choose the experience school to bring themselves into the role.

The Li Wansui in front of him is an alternative and has spirituality.

Originally a good experience player, everything was performed by bringing in Chu Liuxiang's emotions. After he pointed out his inadequacies, he didn't try to figure out the role, integrated into the role, and immediately figured out that he was not Chu Liuxiang. among.

Li Wansui had heard of UU reading www.uukanshu.com Method School and Experience School, but he only knew the term and asked for advice: "Uncle Tianlin, Method School, Experience School, what's the difference, tell me about it."

Wang Tianlin smiled and said, "A Sui, you should go to the wireless training class. I will give you a brief introduction today."

"There are three schools of acting, method school, experience school, and expression school."

"In fact, strictly speaking, the Method School is only a branch of the Experience School, and it can also be called the 'New Experience School'."

"The difference between the three of them, let me give you a brief introduction."

The requirements of the "experience school" for performance are: starting from oneself and living in the situation of the role.

The "Method School" is inherited from the Experience School, but there is a significant difference, that is, the Method School allows actors to replace objects of communication, while the Experience School does not. For example, it's still a straight man who plays **** and makes him fall in love with a man. The Methodists allow straight male actors to imagine their opponent as a woman, while the Experienceists do not. Experientialism requires that you must find the part you love from this same-sex body.

"Expressionism" does not emphasize starting from the self, but emphasizes building a "character image" in the heart, emphasizing imitation. At the same time, expressionism does not advocate subconscious living in the situation, but emphasizes manipulation and design.

Li Wansui trembled with excitement after hearing this, and found a new world, expressive! He had never heard the word in his previous life.

It was tailor-made for him. Maybe he hadn't heard of this school in later generations because it had declined, or there were few famous representatives of this school, but for Li Wansui, his most powerful advantage was the expressionism.

He has found the faction that best suits his acting skills. He must be an expressive genius, which was bestowed upon him by time-travel.

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