MTL - King of Classical Music-Chapter 242

After the concert, the praises of the harvest of 戚暮 and 已经 have not been able to describe in a simple amount.

As long as the music critics present, they gave an objective and fair evaluation of the performance within a week, even those musicians, students, orchestra members posted their own music on their social accounts such as Twitter. Viewpoint of the meeting.

Although those views are different, some people's concerns are placed on the embarrassing body, some people's attention is placed on the embarrassment, and some people's attention is even placed on the little princess "Itis". However, this does not affect the positive nature of these evaluations at all -

All are a big "good"!

Those who listened to this concert sighed that they had not missed such a grand performance, and their relatives and friends all cast their envy and hateful eyes. Listen to it on the spot? ! ! !

Even Tan Lao, Zhu Wenqi and so on, who got the invitation letter but couldn't come to the concert because of something, called directly to find out: "Small seven, how to record a CD. Right? If you don’t have a record, you can accept it a bit. How can you even have cd?!”

For such "accusation", he only had to smile and comfort: "I wish Uncle, I don't think it is necessary for the recording of the record. We don't want to make this concert a profit, you don't want to Angry, next year... I will send you an invitation again, can I?"

Speaking of this, Zhu Wenzhao smiled and "disappeared", and he was screaming at the phone with a smile, and turned to look at the man who was looking down at the information. He couldn't help but spread his hand and said: "Before Tan Lao and Zhu Shushu both called to ask me, it looks like... Next time we want to record some records as gifts, give them?"

Hearing that there was no objection, he reached out to the youth and whispered: "Well, listen to you."

After the Paris ensemble, Yan and Yu intend to stay in the city for one day, and then fly to Vienna and Berlin on the next day. Under the dark night of Paris, the lights of a high-class apartment were lit up until the middle of the night before being extinguished by its owner.

After the concert, there is nothing wrong with it. It is extremely troublesome to deal with these follow-up work. Therefore, when the two confirmed all the follow-up documents, even if the energy was always full of enthusiasm, they felt a bit tired. After saying "Good night" to each other and exchanging a warm and gentle night kiss, the two of them embraced each other.

On the third day of the return to Vienna, the Belgian national treasure classical music magazine "National Music Hall" was released as a weekly magazine. Like the loyal readers of countless magazines, the cover of the National Music Hall is the same as the other classical music magazines that were released before, and is dominated by the silhouette of the concert.

On the good-looking cover, there is a black piano silhouette and a white violin silhouette, which stand side by side in the center of the cover, without distinction. On the right side of the cover, it is printed in large letters -

"The piano and violin event, lit the night of Paris! 》

All the readers looked down again. When they saw the author's name, they all stood together and did not respond. Author -

Grat Leesmont!

God, it turned out to be Master Grat! This is a well-deserved top music reviewer in Belgium! Sure enough, the music reviewers who were invited at night wrote a music review for this occasional concert, and even the master of Glatt was no exception!

You know, Master Glatt’s last time to write a music review was a year ago. It’s also a coincidence. His music review was written for the first European tour of Vai Ai in 2017. At that time, it was also mentioned that Deputy Chief Executive of Wei Ai. Now, after a year, he has once again written a music review, and the people mentioned are even awkward!

Thinking of this, all the readers couldn't help but open the magazine and began to look at it in detail.

Like the magazines and newspapers published in the past four or five days, this commentary of the National Music Hall is also based on praise, and has been deeply explored in some aspects such as the choice of musical instruments and the adaptation of sonatas.

For example, Master Grat very much agrees with the act of “I chose the little princess Itis to play”. He also believes that the voice of “Itis” is more suitable for “The Song of the Wanderer”, suitable for the “Rain Point Sonata”. "Of course, it is especially suitable for the last Anke song "Twilight under the moonlight".

The audience who heard this sonata on the scene described the song as "stunning," "shocking," and "unforgettable." However, this song has not been made public, and even if they describe the sonata of the first four movements, they cannot let the reader feel the power of the song to shake the soul.

In the music review of Master Grat, he also studied the newly born songs in the same way as other music critics: "The violin sonata in a major", that is, "the twilight under the moonlight".

But unlike other music critics, after a little analysis of the composition and emotional expression of the song, Master Grat pays more attention to the performer and composer of the song. In his article, he said that he was very curious about what kind of identity he had in the writing of this piece.

“Austen Bertley has always been a high-volume composer. Whether it’s the famous “f major” or a few outstanding piano concertos, it’s a well-deserved wisdom in the history of classical music. It has been circulating for a hundred years without discoloration. But this "Twilight under the Moonlight" is obviously somewhat detached from the previous works of Bertley. It pays more attention to the expression of emotions. In the rich and complicated skills, the deep and deep feelings Not inferior, even out of the gorgeous skills, has become an important factor to favor."

"This kind of sonata with innovative colors can't help but guess: Is the innovative part of this song from the genius violinist?"

If it’s just such a music review, then you’re not surprised. In recent years, the style of composition has indeed changed a lot. Even after the concert, even Master Feller called to ask him "why Oston's song has changed so much."

When I learned that 戚暮 was only in line with the completion of the fourth part of the composer, Mr. Faller squatted for a while, then flashed a light, and found himself a reason that he thought was the most appropriate: "Angel, this is love The power of Auston's previous songs is always based on strong melody and dazzling skills, and this "Twilight under the Moonlight" has such beautiful emotions! This is love, Angel!"

The twitching of the mouth: "..."

For the time being, I don’t mention it. After getting the latest issue of the National Music Hall from the hands of Mr. Tuckman, the veteran agent, he easily and calmly turned his face.

At the beginning, he still looked at it with pleasure and even studied it carefully in the part of Mr. Glatt's evaluation. But when he saw the evaluation of the last full page, he stunned his eyebrows and silently did not speak.

"This Paris night is undoubtedly the most beautiful concert I have ever heard this year, even the most perfect piano and violin ensemble I have heard in the last three years. It is not only outstanding. The two musicians in the performance are the top masters in the industry, and the two musicians have mastered each other's music, and they have already reached a level of nuance."

"The piano of Auston Beltley, who has just gained the title of Xiaosai more than a decade ago, has gradually become gentle, delicate and gentle. But his piano is still unmatched by most people. The momentum, so that the band that he has worked with, probably only Bai Ai and New Zealand, can withstand such a free piano."

"But on the night of Paris, I felt another sound that was completely different from Bertel."

"Unlike the gentle and soft appearance, the violin's violin is like a sharp and sharp long | gun, with the elegance and calmness in the bones, but without losing the exquisite appearance and stunning. When the two people's piano sounds in the same When a stage rang, I thought that there would never be a second piano in the world that was so close to the piano of Pertham, similar music style, tacit cooperation..."

The next word, 戚暮 has been carefully looked at the past. He looked very slow and his face smiled.

By the time he finished reading the last sentence, he had already tightened his brow completely. He quickly slammed the thick "National Music Hall" and then sighed and did not speak.

In the thousands of praises after the concert, no one has proposed the same view as Master Grat, but no one has been analyzed like this music review master. A whole page of comments, from the aspects of the performance skills, music style, cooperation feelings of the 戚暮 and 闵琛, carried out a thorough analysis.

Don't say that it's someone else, even after reading it, I have already thought in my heart: he said nothing wrong.

Perhaps other readers have read this article, but only hope that he will cooperate more with him. However, after seeing it, he understood that he and the hustle and bustle are not only the ensemble of the two, but even in the cooperation with the orchestra, they are more suitable.

At the end of the article, Master Gratt also pointed out his point of view in one sentence. He said a similar word a year ago, and this time, he said it is more concealed, but he can no longer ignore it.

“Maybe one day, I have the opportunity to cooperate with the Berlin Philharmonic Orchestra. No matter whether such a miracle will happen, but I will always believe that as long as that day comes,