MTL - Doomsday Bosses Win the Entertainment Industry-Chapter 1018 Venezola International Film Festival Awards Ceremony (4)
Qin Jue remained silent.
Yangyang Longzhou, if you really want to say that there is not a single film that can be sold, is it possible?
Of course not.
Not to mention, just take last year's 73rd Golden Plum Awards as an example. "The Cage" won the best film award, the historical film "Da Ming" with a relatively commercial flavor but does not affect the quality, and the musical film with outstanding lyrics and music arrangement "Jingu Music Code" and so on, if they really want to aim for the "Four Extraordinary and Nine Great" awards, they may not be able to win several nominations.
But this is one of the disadvantages of the Longguo film industry: it has formed its own cultural ecosystem, and everything is internal, relying on a large population, self-produced and sold, and rarely considers outward expansion and export.
Even the political film "Red Bell", directed by Lin Yanxing and written by Zhu Zishu, was shortlisted for the Ni Lebu International Film Festival last year.
It's not that no one has found this problem.
However, when Longzhou's own high-quality entertainment output is gradually impoverished, and it is not easy to save the internal decline, who can spare no effort to develop to the outside world?
Improving the entertainment index has a long way to go, and it will not be accomplished overnight.
Fortunately, things have turned around.
Familiar faces flashed before Qin Jue's eyes, immature, loving, firm, and gratified. From the corner of his eye, He Xu was still looking at the big screen seriously. It was he and those seniors who stood in high positions in the circle who started from a variety show and started to cultivate the future of Longguo culture and entertainment.
Exhaling lightly, Qin Jue lowered his eyes and smiled, no longer distracted.
On the screen, the well-edited previous overview documentaries are played continuously. The closer the year is, the more detailed the content is, and every second is the essence. Whether you are a director, screenwriter or actor, as long as you watch carefully, you can learn from it. Knowledge or inspiration.
It took a full hour and a half of the screening before the number in the center of the screen jumped to this year, leaving a contagious ending that whetted the audience's appetite.
There was applause in the awards hall.
The volume is not so intense that it blows the roof off, it sounds very reserved, but the respect contained in it cannot be faked.
Not far away, director and playwright Ronan Lind, who had met Qin Jue at a dinner party, was already dabbing the corners of his eyes with a handkerchief, which was the purest touch of a filmmaker on the film industry.
Then, with the appearance of the glass hourglass, a countdown was presented in front of everyone present. At the same time, the surrounding lights are gradually brightening, indicating that it is now entering the rest period. There are slight commotions, some people leave the table and go to the bathroom, some people turn their heads to talk with the people around them, and some people are late and walk from the red carpet with their skirts in their hands. End into the hall entrance.
Qin Jue deliberately closed her eyes and fell into the film and television space to digest what she had just gained. Unfortunately, it is not polite to close her eyes and rest in the current environment. She tilted her head slightly. Seeing that He Xu did not intend to get up, she lowered her head slightly Discuss issues with the old man in the past.
Sometimes question and answer, sometimes contemplation, time passed quickly. When all the stardust-like gravel in the hourglass fell into the container below, the door on the side of the stage was opened by the staff, and a group of figures walked to the front seats in twos and threes, all well-dressed and calm.
Five men and four women, nine people in total, all of them are the faces they have seen in the documentary just now... Qin Jueluan, this is the jury of the Vinazola International Film Festival, and they will present the awards in person after a while.
After the judges were seated, the rows of seats in the awards hall were finally full. The door leading to the red carpet in the hallway is slowly closing. If someone is still hanging around at this time, just think about it. When the news comes out, he or she will become a joke on social networks—come to the Venazola film There are a lot of guests at the festival, and if you judge by the standard of "having enthusiasm for the film and television industry", there are always people with impure thoughts.
This is something that everyone and the audience outside the venue know well. If it is hidden decently, no one will care, but if it is full of loopholes and reveals stupidity, it will inevitably not be attacked by netizens.
Fortunately, similar "accidents" did not happen, or at least did not make much noise. The lights in the hall returned to dim, and a video was broadcast on the big screen. Some guests in the audience straightened their backs unconsciously: This is a collection of works that were shortlisted and nominated for awards at the Vinazola International Film Festival this year.
Different from the retrospective documentary just a moment ago, the current fine-cut collection of films will be cut to the corresponding shots by the on-site director during the playback interval, that is, cut to the director, screenwriter, and characters when the highlights of the whole film (including plot, camera, lighting design, etc.) Cutting to the actors at the highlight is to let everyone present and the audience in front of the TV look familiar and leave a rough impression on the eve of the announcement of the winners.
When "Rain in the Day" was broadcast, Qin Jue was not surprised to see the scene where Mo Sen killed Cao Hao and Su Qi, and Tian Gang and Qiu Xue were passionate in bed. The simple and crude parallel editing explained the relationship between **** and Su Qi. The commonality and difference of violence create primitive pleasure and terror.
The screen cut to the camera aimed at He Xu. The old man was wearing a brocade Tang suit with a stand-up collar, his temples were slightly white, and he was unsmiling. As an internationally renowned director who had won two awards at the Vinazola Film Festival, this face of Longzhou was no stranger to most people in the audience, and many guests nodded secretly .
The picture changed again, "嗙嗙" hit Mo Sen who couldn't sleep well, Mo Sen who was stepped on by He Ye on his shoulder blades, Mo Sen who stabbed the patrolman to death in a headlong posture, Mo Sen who took off his school pants at the crossroads and turned his head in despair, As well as Mo Sen, who smiled brightly and cried, the same character appeared repeatedly, which seemed to be a highlight of the character.
Actions, facial expressions, and voices are so realistic that they are horrifying, full of tension, and extremely contrasting. Even those who have seen many big scenes can't help but be amazed by them.
The lower right corner of the big screen was cut to Qin Jue at the right time. She didn't look at the camera, but just looked at the screen intently. Her temperament, which was completely different from Mo Sen's, invisibly once again demonstrated her excellent acting skills. Those who hadn't seen her at the dinner remembered this face calmly, and those who had seen or talked to her at the dinner quietly refreshed their impressions in their hearts.
The collection of works continued to play, and when it came to the competition for awards, there was something undercurrent in the air. The Vinazola International Film Festival adheres to the principle of privately issuing nomination invitation letters, and usually does not directly disclose the list of award candidates, but the final circle is so narrow, even if you don’t ask, you can just watch the highlights and close-ups at this time My heart is clear.
Recalling the phrase "spirit and ambition" that He Xu said in the parking lot, and thinking about the expression on the old man's face when he watched the retrospective documentaries just now, Qin Jue became more serious, and did not forget to sort out the information while appreciating and studying.
There are three people competing with her for the "Best Actor Award" this time. The first is Quentin Visconti, who shares her gender obsession.
Of course, in all Blue Star's film and television related awards, the actors are all based on the role they play. In other words, even if Quentin discloses his true gender, the fact that he played the male lead in the remake movie "Looking for Uloda" is an established fact, and it does not affect his nomination for the "Pearl of the Sea" actor.
The other two on the same track as Qin Jue are Gerrit Brown and Herman Saavedra.
The former starred in Ronan Linde's movie "The Call of the Mist". Qin Jue had contact with him at the dinner party, and the two had a good relationship; the latter is a veteran actor of the EU Federation. The suspense film "Blood" directed and acted in was shortlisted for the Venazola Film Festival.
However, judging from the fine cuts of the entries just now, Herman's screenwriting and director skills have not yet reached the threshold for nominations, so he came to the awards ceremony today relying on the best actor nomination—his acting skills are indeed stable and outstanding.
Out of respect and courtesy to his new friends, as well as his interest in the work itself, Qin Jue went to the cinema yesterday afternoon to watch two films, "Looking for Uloda" and "The Call of the Mist". Quentin seemed to be a **** of beauty, while Gretel gave her the feeling that he was the one who "should live in the world on the screen".
However, looking beyond the performance, "Looking for Uroda" tells the story of a terminally ill painter who accidentally catches a glimpse of a beautiful boy named "Uroda" on the street, and can't help being obsessed with him. "Beauty", so he came to the strange city of Venazola, and finally failed to find "beauty", and passed away with regrets, leaving behind an unfinished famous painting.
Since it is a remake of the movie, the director did not make any adaptations, which makes the symbolic meaning of Quentin's character "Uloda" very strong, and it is more like the embodiment of "beauty" than a flesh and blood person. The characters I played were not so full and three-dimensional, which fixed the upper limit of Quentin's acting skills in a certain sense, and also weakened his own competitiveness in the "Pearl of the Sea" actor finals.
The same is true for "The Call of the Mist". Qin Jue even replayed the film a second time on the spot. Director Ronan used a lot of metaphors and symbolic techniques in the film, using the hero and heroine and the surrounding environment to spread out the dialogue and interrogation between the soul and the self. The style is absurd and bizarre. The sense of atmosphere is amazing, and because of this, the narrative is very poor. It is easy to get confused when watching the movie for the first time, and lose patience very quickly.
Glitter, who plays the male lead, is not so much a "protagonist" as a "part of the spiritual environment". He is sometimes crazy, sometimes desperate, sometimes despicable, and sometimes cowardly. The inner reflection of "is the embodiment of emotions. He serves the whole, and it is difficult for him to exist as an independent character.
Although such a judgment is a bit impolite, Qin Jue feels that it is difficult for Glitter to compete for the "Best Actor" award with such a role that "does not promote the development of the plot"—if "Call of the Mist" finally wins the "Best Director Award" or She won't be surprised at the "Best Picture Award". This is a movie where the work is bigger than the characters. To enjoy it, you have to watch its entire picture, especially those meaningful middle shots, long shots and long shots.
It seems…
The biggest opponent is the veteran actor Herman Saavedra?
3000+
*The prototype film of "Looking for Uroda"/"Venazola's Sweet Dreams" is: "Death in Venice"
*The Call of the Mist is an original. Only the outline (or theme concept), the script will not be written.
(end of this chapter)
