Trafford's Trading Club - Chapter 49: A Romantic Memory

After being torn from the only life she knew, 16-year-old Margo is forced into a new home with strangers who call themselves her parents. Haunted by memories of her past and consumed by feelings of isolation, she struggles to adapt to her unfamiliar surroundings. School offers little relief—until she meets Lucien, a mysterious boy who appears just when she needs a friend the most.Gabriel is everything Margo needs: kind, attentive, and always ready to whisk her away from her troubles. Each night, he invites her to secret places—an abandoned playground, a fog-choked garden, a crumbling train station at the edge of town—each more unsettling than the last. Yet with every chilling rendezvous, Margo feels more alive... more seen.But something isn’t right. Gabriel never comes to school during the day. Her adoptive parents never see him. And when they catch her talking to thin air, their concern deepens into fear. They say Gabriel isn't real—that he’s a figment of her imagination. Margo wants to believe them, but Gabriel feels real. More real than anything else in her life.As the nights grow colder and more twisted, Gabriel’s true nature begins to surface. Shadows move where they shouldn’t. Time warps in his presence. And the places they visit seem to echo with whispers from another world. Margo is forced to ask herself: Who—or what—is Gabriel? Why does he only want her? And what will happen on the final night he asks her to come with him?As the line between reality and delusion begins to crumble, Margo must make an impossible choice: stay in a world where she feels loved, or return to one that barely feels real.But one thing is certain—some friendships never let go.

A phoenix is a creature of legends, a wonder of the world, an imagery of life and destruction. This fabled creature signifies the rise of a hero in a virtual world where battles occur for the sake of honor and glory!

Lawyer Tang Fangjing had finally made it through time-travel, only to discover that he was terminally ill, thank goodness for the systemBut he needed to achieve more than two hundred percent completion in order to ensure his own survivalAnd so, an extremely unorthodox lawyer emergedThinking you can just cut off an employee and provide severance pay?Come on, let's calculate the exorbitant overtime pay, including mobile communication after hours as overtime!Property management that does nothing but collect money, thinking about pulling out just like that?Gradually establish a resident's committee, backtrack twenty years of accounts, secure a huge compensation from property management without saying, and also send the property boss to jailWho's shirking responsibility for the unfinished building?Come at it with both administrative and civil lawsuits, make clear whose responsibility it is, whoever needs to go in must go inBeyond that, there are salary disputes, labour service scams...'When you encounter a problem, sending people to jail will naturally solve the problem' — Tang Fangjing

Ysavel, an aspiring writer, wakes up one day inside the world of her own novel. She thought it's those typical transmigration story she have read. However, she was shock when she discovers that she's been cast as the villainess in her own story.

“DON'T TELL ME I BECOME THE VILLAINESS OF MY OWN STORY?!”

Shocked and dismayed, she realizes that the only way to return to the real world is to live out her role in the story. Initially, she accepts this fate, but things take an unexpected turn when the characters start deviating from the script.

“I don't want another Queen. Youare the only one I want as my Queen, Csille.” Prince Fraser whispered.

The male lead, who was expected to be annoyed by her constant pestering, instead becomes affectionate and attached to her.

“It's inevitable, Lady Lauretré. You will still be the Queen, so I don't see any harm in what I said. Besides, I doubt the King or even the Crown Prince would be willing to change their minds about your engagement.”

The female lead, who was supposed to separate the male lead from her, begins to play matchmaker between the male lead and the villainess.

What should she do? She couldn't get back to the real world if she didn't finished the story as the villainess. But how can she finished it if the two leads are not following the script? Help!!!