Titan King: Ascension of the Giant - Chapter 8: Hiding behind a woman wasn’t his style

Jiang Dao died extremely heroically in the apocalyptic world war. He never thought that he would have a chance to open his eyes again.

He traveled through, into a danmei book he had read, and became a vicious villain in the book.

Jiang Dao thought to himself: “After more than ten years of fighting for my life in the last days, I’m tired, so what am I fighting for? It’s better to be a vase. Use my face to finish the brokerage contract, and then find a corner in the world with beautiful scenery and live a peaceful life of growing vegetables, cooking, and raising cats and dogs…”

So, he returned the role that the original owner had snatched from the protagonist shou on the spot.

Unexpectedly, in the variety show that started shooting the next day, Jiang Dao performed a shoulder toss and threw the current number one kung fu actor, Chu Yinlong, to the ground.

Chu Yinlong: Boy, you have successfully caught my attention. My new movie, the villain, can fight, you come.

Jiang Dao: …Sorry, I’m just a vase.

————

In a later interview.

A reporter asked Chu Yinlong: “How would you rate your perfect partner, Mr. Jiang Dao?”

Chu Yinlong replied: “A vase.”

Reporter: “How can a kung fu superstar as famous as him be a vase?”

Chu Yinlong: “Diamond vase. Precious, beautiful, hard enough.”

- Description from Novelupdates

After her mother’s passing, Tabitha Collins’s father marries a new wife and sends Tabitha Collins to live with a family she barely knows. There, she meets Alexander Foster, the family’s high-flying Eldest Young Master, who wants nothing to do with her. Apart from him, however, the other members of the family loves her and dotes on her. Soon, things began to change. Alexander Foster becomes intrigued by the mysterious and seemingly untamable Tabitha Collins. Who is she exactly? Initially, the girl seems to lack confidence and needs protecting, but as he finds out more about her, he realizes, he's the one with the catching up to do!

Saying 5000 year-old-dragon has an impressive ring to it, yet that dragon was an extremely harmless, herbivorous being. However, because of his uselessly giant figure and scary appearance, he was mistaken for the Demon King’s executive and provided by the nearby village with a sacrificial maiden.

Fundamentally cowardly and timid dragon tried to send her away, but the extremely enthusiastic sacrifice didn’t want to give up. Inevitably, he lied: “Okay, I just ate a small portion of your soul, so you can go back already”, but the maiden with outrageous assumptions has misunderstood that she became the dragon’s kin.

Then, out of all things, she began to manifest strange power on the basis of her wrong assumptions – in turn, the helpless dragon, by some mistake started a rebellion against the Demon King.

Rebellion or whatnot, he wasn’t even his subordinate in the first place.

It's simple. A vengeful wildfire of a woman. A tyrant who begs to be burned.When Aria crashes into Kael’s empire, hellbent on making him pay for taking her job away, she’s met not with defiance—but a dare. “You want revenge?” he taunts, voice dripping with dark invitation.“Then ruin me. Take your pound of flesh exactly where it hurts.” His proposition is a trap laced with sin: As expected he calls the shots in his bed, her contempt is his twisted aphrodisiac.“Hate me until your hands shake,” he growls. “But do it on top of me, where I can watch you savor every cut.”Their arrangement is a collision of dominance and delirium. Aria wields her fury like a blade, determined to break him. Kael? He thrives under her wrath, goading her darker, deeper, hungrier.But vengeance turns slippery when every command she hisses ignites his obedience, and every cold glare melts into bruising kisses. Soon, the bed becomes a battleground—her nails carving victory into his skin, his whispers a serpent’s promise: “Chain me with your rage, darling. I’ll still come back for more.”The rules are simple: No mercy. No surrender. But as their games spiral into something ravenous, who’s destroying whom? And when hatred burns this hot, what’s left when the ashes cool?