The Investiture: Unlimited Blade Works Nezha - Chapter 113 - 112 As soon as we arrived, we saw Asura fighting Huang Long

The World Tower has unimaginable wealth and treasures. Once a week, as long as you rush high enough, you can surpass ordinary people and enjoy a brilliant and glorious life.

A thousand floors are capped, and some people say that reaching the thousand floors can get the wealth of the whole world; some people say that above the thousand floors is a beautiful new world or even heaven; some people say that they can obtain the power of gods;

Unfortunately, no one has reached the summit for thousands of years.

The strongest team in the world rushed to the 929th floor, which was unprecedented, and was still destroyed.

Wang Wen survived.

Time went back to twenty years ago.

Reborn with all the emotions and experiences, the lush Wang Wen in front of the World Tower is calm and determined.

- Description from novelbuddy

This novel is also known as Daughter of the Male Protagonist

As luck would have it, Luo Shuyan unintentionally found out that she’s a character from a male protagonist novel, and she happened to be the only child of the male protagonist.

The male protagonist had intimate encounters with countless women. He rose from being one of the poorest to one of the richest in the entire kingdom. He was a man that was above all others.

Well known to all, his only weakness was his dear daughter, who had sadly passed away early on in life. Even the female protagonist, who was placed at the pinnacle of his heart, didn’t dare to mention the name of his daughter.

Luo Shuyan, who was destined to die early, was perplexed with the setting of the story.

Additionally, she found out an even more intriguing fact — The mother and son duo who lived next door to her was the heroine and son from the novel, “Child Prodigy: Story of a Delicate Mama Fleeing with Her Child”.

#A story where the male protagonist is my father. Plus, an unbelievably cliche side-story of my childhood best friend’s mother who ran away from home#

#A melting pot of stereotypical plot points between male-centered and female-centered novels#

#Sigh, what on earth is happening?#

- Description from Novelupdates

There are a lot of things wrong with Liv Brodbeck. She’s too small, for one thing. When she works in the castle kitchens with her mother, she can’t carry a sack of flour or roll a keg of ale. Baron Summerset’s chirurgeon says that she has brittle bones, so she isn’t allowed to wrestle or sword fight with the other children. Even sledding downhill in the winter brings the risk of breaking an arm or a leg if she falls. Everyone says that she ruined her mother’s life when she was born. Not when they think Liv is in the room, of course, but she overhears all the same. In the kitchen of a less kind lord, a cook bearing a bastard child would have been more than cause enough for both of them to be out on the street. No, a child like Liv doesn’t have much hope. But when she accidentally unleashes a surge of wild magic, she takes her first step on a journey which will lead her from the kitchens of Castle Whitehill, to the cold palaces of the Eld, and beyond, to the graves of gods... What to Expect: - MC starts off very weak, with a lot disadvantages - not just physically weak, but also vulnerable in a socio-economic sense. She has talents, but it is going to take time to develop them. I want to give this process room to breathe, so I hope you enjoy long-term progression. - The MC begins the story as a child. As she grows up, she will have relationships that I intend to be appropriate for her stages of life, BUT THERE WILL BE NO SEXUAL RELATIONSHIPS UNTIL SHE IS AN ADULT. Expect eventual teenage drama progressing into more adult relationships. - There is action, but it is not constant action, and it will again be appropriate for the MCs development. As a child, she will be challenged by child things, and as she grows into power the scale of threats will increase.

It's simple. A vengeful wildfire of a woman. A tyrant who begs to be burned.When Aria crashes into Kael’s empire, hellbent on making him pay for taking her job away, she’s met not with defiance—but a dare. “You want revenge?” he taunts, voice dripping with dark invitation.“Then ruin me. Take your pound of flesh exactly where it hurts.” His proposition is a trap laced with sin: As expected he calls the shots in his bed, her contempt is his twisted aphrodisiac.“Hate me until your hands shake,” he growls. “But do it on top of me, where I can watch you savor every cut.”Their arrangement is a collision of dominance and delirium. Aria wields her fury like a blade, determined to break him. Kael? He thrives under her wrath, goading her darker, deeper, hungrier.But vengeance turns slippery when every command she hisses ignites his obedience, and every cold glare melts into bruising kisses. Soon, the bed becomes a battleground—her nails carving victory into his skin, his whispers a serpent’s promise: “Chain me with your rage, darling. I’ll still come back for more.”The rules are simple: No mercy. No surrender. But as their games spiral into something ravenous, who’s destroying whom? And when hatred burns this hot, what’s left when the ashes cool?