The Hunter’s Lucky Little Lady - Chapter 833 - : Problem with the Water

Konominato Aoi, who had been learning Kendo at her family’s dojo since childhood, had a dream of becoming the best in Japan in Kendo, as her father wished. However, that dream didn’t come true. Disheartened by the failure of her student dreams, Aoi became a high school teacher with a new dream: to make her own students the best in Japan in Kendo.Facing numerous challenges and feeling pessimistic, Aoi lost consciousness on the spot and found herself transported to a different world. The one who helped the now-younger Aoi was Owen Millers, an elven mage. Out of curiosity, Owen decided to impart his magical knowledge and research results to Aoi. Inheriting Owen’s skills and knowledge, Aoi became a mage and, under Owen’s guidance, became a teacher at the world-renowned magical academy.However, the academy was filled with the entanglements of aristocratic society, discrimination based on magical power, and individuals exploiting noble students. Aoi found herself dealing with various situations as she navigated through these challenges. This is the story of Aoi Konominato, a female teacher later known as the strongest archmage and the witch of the academy.

Orin Stonewood rises from a prestigious smithing family in the Astral Kingdom. Wealth, recognition, excellence, and charisma - he had it all. But life from twenty-five ended on such terms for him. He falls victim to a dark ritual. The fate after this mystery was to rise and fall in every life he reincarnates in. The ninth reincarnation made him Zmey Ashbane. Into a world of terrifying, exciting tales. It seemed as if every encounter in this world wanted to tie him down for some reason. But he knew his goal. To break free from the ritual and rise as a master of fate, not its pawn.(Update rate: 28 new chapters a week)(The book has a slow progression. If, after reading up to chapter 100, nothing in this story interests you, that means it isn’t for you.)Due to the progression, I will lock the novel at chapter 60.

Seth Evergreen was the greatest scientist of his time. With his insatiable hunger for knowledge and groundbreaking discoveries, he had made Earth reach new heights of prosperity and scientific advancements.

But everything changed when he stumbled upon the life equation, cracking it and discovering the fabled 'healing factor.'

Seth believed he had found the key to eternal youth and announced his discovery to the world in the form of a new drug. But then the mutations began. The human body, it seemed, was not meant to be perfect.

The drug's effects began to spiral out of control, creating monsters out of those who had taken it. After spending 7 years trying to remedy his mistake, he finally gave up and pulled the trigger.

But when he opened his eyes again, he found himself in a world unlike anything he had ever seen before. The world of Gilea, where magic and mana exist, and the strong prey on the weak.

Determined to complete what he had failed to do in his last life, Seth, now known as Silas Skylark, sets out to become the strongest mage, to take Gilea out of the dark ages and into an age of prosperity and change.

Unbeknownst to him, the life equation branded itself into his soul, morphing his body and mind into a being with only one goal...

To evolve!

But as the shadow of his past looms over him and powerful forces seek to control him, Silas must overcome weaknesses and reach new heights.

Will he succeed in his quest to bring prosperity and change to this world, or will his past sins come back to haunt him once again?

……………………………………………………………

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One day, a ghost possessed me.

The younger brother donated his kidney to his older brother and chose death over living with only one kidney.

A high school girl tried acting in front of her father.

A Korean military police officer from the Japanese colonial period belatedly tried to protect his country.

A con artist attempted to steal his partner’s heart but ended up losing his own.

I could vividly portray their lives.

Their experiences were akin to a theatrical performance, almost theatrical.