Stellar Train: I Open a Small Shop on the Train - Chapter 23

In a world destroyed by monster invasion, humanity is on the verge of extinction. Into this chaos comes a system that gr...

Lothair is a serial killer who detest imperfection on human’s facial features, which resulted in him having a compulsory behavior of wanting to strip people’s faces.After he dies, he finds himself as Narcissus, a beautiful and adorable female NPC inside a state-of-the-art VRMMO world of the latest craze called Fallen Carcosa Online.But despite being a fantasy-filled game, the world feels strangely realistic.Too realistic, even.Game-like systems and magic exist but so do plagues, politics, economy, and the horror hidden in plain sight.When pried open, an actual human-like anatomy can be seen beyond the skin of the NPC’s face—with little to no censor.Everything feels too immersive.Except Narcissus, Lothair’s new identity.When Narcissus tried to scrape off the face of her new adorable body, she found an abyssal void with little to no end.This story marks the birth for the King in Yellow.Warning, this story contain: Male-to-Female Genderbend, GL/Yuri, Occasional Futa MC, Yanderes, Harem, Self-Cest.Follow the creative and attentive Narcissus, a nuanced former serial-killer who will gradually becomes stronger, experienced, maddening, horrifying, but also mature, wise, conflicted, and complex—in this near-endless journey.Where souls unsung and tears unshed.In the land of Lost Carcosa.

《The Peter Pan who doesn’t want to grow up, Wang Chao & the Poor and Handsome Cinderella, Xie Zhuxing》

Two plain Jacks, one annoying and one scheming. An idiotic story that might not be sweet.

- Description from Novelupdates

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.