Rebirth With The Beast - Chapter 60

The Great Yan Empire exists in a world where respect can only be earned through strength. Within this Great Yan Empire, the four great clans have always stood above the rest. Among them, a particular incident in the Lin Clan resulted in the banishment of a certain individual who went on to start his own family, in hopes of one day being recognized again by the Lin Clan, and rejoining them…

Long time ago, the world was ruled by the Primordials — an ancient and powerful race who mastered magic and shaped the land with runes and magic. They built bastions that stood as monuments to their greatness, cities protected by powerful enchantments. But their thirst for even greater power led to disaster. They opened gates to another realm… and unleashed demons.What followed was swift and brutal. The Primordials fought back, but they lost. Their civilization crumbled, their names were erased, and only the magical bastions remained — sealed places protected by forgotten runes that even demons could not cross.Now, demons rule the night. Humanity lives in fear, hiding behind rune-marked walls, unaware of their true origins or how close the world stands to its final collapse.Into this broken world falls Alex — a stranger from another reality. Upon his arrival, he awakens a forbidden power within himself: nature magic and the ability to shapeshift. A gift… and a curse.Magic is forbidden. Hunted. Destroyed. If anyone discovers what he is, he could be executed on the spot. But only through his power does Alex stand a chance of surviving… and fighting back. As he journeys across this dark and ruined land, he begins to unravel secrets long buried, truths about the demons’ origin, and the real reason the world fell.This is a dark fantasy tale of blood, survival, ancient knowledge, and inner transformation. Alex must choose what he will become: a monster, a savior… or something in between.Hello and welcome to everyone who decided to read my first writing attempts!The story you are reading is created in my free time, so new chapters will be released approximately 3-4 times a week. I run my own business, which sometimes makes it difficult to find a moment to sit down and fully focus on writing.I'm a fan of brutal, bloody scenes – the kind that stay in your mind long after you've finished reading. I have a vivid imagination, and when I write, I see each of these fights clearly, as if they were happening right in front of me: torn bodies, blood spraying, guts... none of that sugar-coated fighting.I try to transfer these images from my head to the page with as much intensity as possible, so you can feel the same tension and thrill that I do while writing.I also want to build a sense of horror – especially when it comes to monsters. I'm not interested in easy enemies. These are meant to be creatures you feel before you see them. The kind that stir fear and force the characters into desperate decisions.I hope you'll enjoy these scenes too – brutal, emotional, and full of darkness.As for the plot, I already have a general outline in my head, so there’s a lot of writing ahead of me. In the future, the story may include R18 scenes, but before that, I want to build a solid world and well-developed characters.If you have any ideas or suggestions, feel free to reach out—I’d love to discuss them, and maybe we can add something interesting to the story!Enjoy the read!

In a romance novel called “The Secret Lovers of the Academy” the male lead would often torment his fiancée–but wait, why did she cross into this world to become his fiancée, the villainess, instead of the heroine?

Louise Sweeney found the perfect solution to escape the misfortune of being the villainess: “Your Highness, I just want to tell you that we don’t have to be tied with our engagement. We weren’t even officially engaged, right?”

But what was wrong with the male lead’s reaction? To her suggestion, he replied “But our engagement wasn’t false, don’t you agree?”

Dual Cultivation is an art. The more you focus on doing the art, the worse it becomes. Only when doing it becomes part of the art itself, does one truly experience it to its fullest.