Planet Pulverizer: A Mortal's Ascent - Chapter 98: Provocation

Three reincarnations. Fourth life.

She was chosen to grow up as the Child of Fate; but when the real Child of Fate appeared, she was sacrificed for that child.

In the second life, she was abused.

In her third life, she lived as a beggar.

“This country is not safe. Let’s defect!”

LeBlaine chooses to be re-born into a new family to defect. The family she chooses is…

… the family of the future biggest villains in the Kingdom.

“Let’s try to get along until the time of my exile!” is what she tried to do. But what happened was…?

“My daughter is the cutest IN THE WORLD!”

“Give me that building, I can use it as my sister’s bathroom.”

“Don’t worry, LeBlaine asked me not to hit you. Not to not kill you.”

“WHO, WHO MADE MY SISTER CRY?!”

“You sloppy orc~ You can’t take down a girl?”He became the Mesugaki character in the Academy game.But the taunt works too well.

I didn’t know this was a world inside a game. And I didn’t know my master was a mid-boss. “No way… wasn’t she supposed to self-destruct because of her personality?!” …I’m sorry.

After a long time in the darkness, a lost soul is transported to another world, and there the soul is given another chance and is reborn as a boy...In a world of swords and magic, Zaos is given another chance after hearing an unknown voice asking him to protect someone. While he couldn't remember many things about his old life, he still decided to live his new as much as possible. Even though it looked like he was destined to do something, Zaos chose to follow his own path as much as possible.He tried that... but it looked like the machinations of destiny won't give him much option. Weird things were happening in the kingdom he was born, and before he could imagine... Zaos was throw in the middle of a war in which some were trying to revive the god of the world, and others were trying to prevent it. Zaos will fight in this war while he also looks for the person he is supposed to protect.The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.