MTL - White-Robed Chief - Chapter 80 French Circle

Qin Fen had once been abandoned and broken until, one day, he picked up a liquid metal ball that turned his life upside down.
This is the interplanetary era where Classical and Modern Wushu are competing. Classical Wushu enables followers to grow as powerful as dragons and elephants, whereas Modern Wushu enables followers to freeze monsters or even extinguish erupting volcanoes.
Qin Fen steps onto the stage of both Classical and Modern Wushu while belonging to neither. With the exquisite combination of both Classical Wushu and modern technology, he will pave a way to become a legend.
He is one of a kind, a favored son of heaven.

Ronald Kuangge transmigrates into an urban novel called “The Dragon King in The World” as a Rich Second-Generation that has to properly play his role as the Villain according to the plot in order to return back to earth.After finishing his villain role accordingly to the plot however, instead of going back to earth he has dreamt so long of doing, he ends up going back to the beginning of the story where he has do everything over once again.So in order to go back to earth, he has to act like a villain according to the story once again.Little does he know this time however, the heroines have also regressed back as well...

Choosing a college when your family is struggling can be difficult, but it isn’t supposed to be world ending. And the falling meteor is seriously limiting Matt’s options. Now in the aftermath, his home city is locked down by a mysterious dome, corporations are looking to monopolize a wealth of new untapped resources, and people are suddenly developing powers via a system that seems to have borderline sinister intentions. In the chaos, he decides to stick to what he knows: stay out of the spotlight, grind, and survive.Watch as Matt is dragged into a dark LITRPG set in the real world, where the price of failure is death, and the prize for winning is beyond his wildest dreams.

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.