MTL - Urban Carefree Immortal Emperor - Chapter 339 The despair of life did not defeat him

It has been a year since Li Fuchen lost his “talent”. Now he lives the life of a wastrel, being bullied and beaten by those who were once inferior to him. However, he has still not lost everything as he is engaged to a strong and pretty girl of a powerful family… but that came to an end as the engagement was abruptly anulled. With shame brought to the family and his life engulfed by darkness, a ray of hope pierced through the sky.

Transmigrated into a flesh ball, my father swung a sword to chop me, why does this storyline seem so familiar?Have I become Nezha?A great cultivator from the Earth's end-times era transmigrates into Nezha. Watch as the young man navigates the prehistoric world, cutting through illusions, slaying dragon sons, subduing the Dragon Palace, and breaking heaven's barriers!

The King of Hell sentences you to death by midnight, but I can ensure that you live past morning.

The young man, Qin Lang, received the inheritance of a poison school by chance. He uses poison to kill people, uses poison to save people and he uses poison to chase beauties. With body of ancient extinct poison and a body of a martial artist, he walks around the city, and wanders around in the underworld.

- Description from Novelupdates

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.