MTL - The Golden Elixir is a Star. Do You Call This Cultivating Immortality? - Chapter 279 It's over, the whole world knows that I'm about to return

“Want to know the meaning of life? Want to live… a real life?” The world changes when you click YES. In God’s dimension, you have to keep getting stronger, keep evolving to survive one horror movie after another. Do you kill everyone in your way to reach the end as a lone king? Or fight along with your comrades and survive through the support of friends? Everything was just for staying alive. Until you find the secret of God’s dimension. Who is the real enemy?

Orphaned at a young age , Layla Llewellyn feels like the luckiest girl in the world after she moves in with her uncle Bill , a gardener who lives on the scenic Arvis estate in the Berg Empire . To Layla Arvis seems like paradise ; she loves to explore the vast forest , always bringing her notebook to record the wildlife she encounters . She especially loves the birds , watching them with awe as they hatch and grow from fluffy chicks into beautiful birds . Duke Herhardt , the young , handsome lord of Arvis , is also interested in birds--- and Layla . But the difference is , he's interested in birds because he likes to hunt them.... and he's interested in Layla because he likes to make her cry . If a lovely bird is trapped in a golden cage , which will she choose : a life of luxury , or freedom ?

In a game-like world where dungeons, monsters, and players appear.

“Starting from here is where you will create Civilization”. It was the first sentence heard by over a million different players.

A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

Build a village, build a city, build a kingdom, forge friendships and keep your friends close. Make weapons and grow stronger.

What will our protagonist do in this world? And will the real world affect him in any way?

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.