MTL - I Was a Top Student In Conan, But I Was Actually An Onmyoji - Chapter 358

Kurokawa Risa is an ordinary office worker, who has practiced lots of cooking while living alone. One day, she wakes up in another world, with a concerned little spirit hovering over her! She has apparently been transported to a magical, spirit-filled realm by the will of the goddess, and there is no known way for her to go back. She is taken in by a wealthy couple, and they and her new spirit helper treat her with nothing but kindness. There is one problem, however–the food in this magical world is gross! Risa insists on helping the household cooking staff prepare a traditional meal from her world, and it is a big hit with her hosts. Soon Risa knows what she should do in this new world; she should open a cafe and treat everyone to delicious food!

“For a long time, we humans have been like the chosen race, without any natural enemies, and have long been at the top of the food chain. Unfortunately, I have to tell you...” “When there is only one bird in a forest, then the forest is basically fake, and the bird was put there by someone...” “No matter how a fish swims, it can never meet any of its kind, which only means that the fish is kept in a fish tank...” “Yes, we are the birds in the forest and the fish in the tank.” “Yes, the world we live in is virtual!”

On the will left behind by the 14 year old suicide victim K:

“Taku Sugawara is the devil. Nobody should believe his words.”

“Starting from here is where you will create Civilization”. It was the first sentence heard by over a million different players.

A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

Build a village, build a city, build a kingdom, forge friendships and keep your friends close. Make weapons and grow stronger.

What will our protagonist do in this world? And will the real world affect him in any way?

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.