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... alking to her opposite also looked at Gu Fei. Soon, the portraits of the people in the hall It was because they were infected, and everyone looked towards her, and then the whole hall fell silent.

The beauties looked at Gu Fei, half envious and half jealous.

At this time, Gu Fei heard someone whisper: "Is this the emperor's new concubine too? My God, she is so beautiful."

Someone next to him coughed lightly, "Haven't you heard? The Crown Princess is the most beautiful woman ...

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In novels with a stud there is always a Senior Martial Brother like this:

In the early stages of the novel, his innate talent is high, his cultivation is good, his appearance is handsome, and he has an intelligent, cute younger Martial Sister as a fiancée.

In the middle stages of the novel, he is caught unprepared and defeated by a young disciple (the protagonist) in the sect who’s hardly remarkable at all. From then on, he falls from his godly altar and loses his brilliance. Even his young Martial Sister leaves him for someone else.

In the late stages of the novel, he continues to turn dark, going down the Demonic Path and becoming the major villainous boss. However, the protagonist still ruthlessly defeats him and his soul is eternally sealed.

Once Qin Mo opened his eyes, he discovered that he had become this Senior Martial Brother.

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MTL - PeerlessChapter 191 Fanwaisi (completion)
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In the third year of the Kaihuang era, as the Great Sui began to unfold between the fall of the Northern Dynasties and the rise of the glorious Tang Dynasty, Emperor Yang Jian created the House of Blades – an intelligence agency for strategies and conspiracies – in preparation to unify the world.

On a snowy night, a convoy of tribute from the Kingdom of Khotan was raided. Not one soul survived the attack. Feng Xiao, Second Commandant of the House of Blades, was ordered by the Emperor to investigate the matter in person.

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Here, the ever-successful Second Commandant Feng ran into a wall for the first time – all because of a feeble Taoist priest with ailing health.

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Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.

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