MTL - Asking About Longevity - Chapter 19 solid earth array

Take over a Homeworld mothership and travel to the world of Star Wars?

Tang Xiao: “This world is so dangerous. Mom, I want to go home.”

Wait a minute, the mothership database actually has “Original Sin of the Solar Empire”, “Halo”, “EVE”, “StarCraft”, “Stellaris”? ?

And there are still Jim Raynor, Master Chief, and Archbishop Artanis sleeping in the freezer?

Tang Xiao: “Humph! They will all bow down at my feet!!”

The Fourth Calamity… ah no, long live the Fourth Empire!

- Description from novelbuddy

The new book is out! Meng Yunhan has been reincarnated back to the time of ‘food coupon era’, a time when people struggled with food and clothe shortages. But she is not afraid this time around. Equipped with a ‘cheat code’, she is ready not only to start her own business but also to grab a hold of her stoned-face brother and even support Baozi, her child.Stoned-face brother: “Wife, let’s pack up Baozi and leave!” He claims that having a son who is even clingier to his wife than himself is utterly shameless!“Mommy, let’s get a new daddy!” Baozi suggests. His daddy, a grown man, is still so clingy to mommy. How disgraceful!

Being in the World of Arknights...Thing's are going to change drastically and...You best be ready for what's to come ahead.

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.