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... in Hood, for example—objectively, this supposedly skilled archer was a dirty criminal, likely guilty of enough theft to cost him his head. Yet he was the hero of the tale, stealing from the rich to give to the poor. Stealing was wrong, yet people thought him good. It was all clever applications of words, and a creation of a narrative to steal the hearts and minds of the people.

Argrave had been thinking about how to make himself the hero of his own story for a long while.

Objecti ...

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