Deity Hero: Me! Gaining Disciples Makes Me Stronger! - Chapter 388 - Puppet

“I’ve been possessed into the controversial makjang drama ‘Gwangin’ (The Lunatic). Of all roles, I’m the omega secretary to an alpha with omega-phobia. It’s hard enough hiding my identity, but I’m also in charge of all sorts of annoying tasks: managing the protagonist’s diet, wardrobe, and house; coaxing and soothing the beta he loves. My goal is to survive until the ending where the protagonist meets the strange beta who thinks even his obsession is love, leading to a happy ending… I think I smell an omega somewhere.’ ‘That’s… impossible.’ If I speak carelessly, I die. If I mess up my work, I die. If I run away, I die. And if the fact that I’m an omega is revealed… I really die. ‘Right. It shouldn’t be possible, but that’s why I feel so f*cking awful, Secretary Kim.’ Will I be able to make it back alive…?”

Three years ago, she was cruelly abandoned by the man she loved deeply, leaving her to walk down the aisle alone while heavily pregnant. Three years later, she reappears transformed, stunningly beautiful, and says with a smile, “Husband? I don't need a husband.” The man behind her narrows his eyes, his thin lips turning into cold blades, “Qin Yan, try saying that again?”

There was a time where I was summoned to a different world. I spent more than a year as a Priestess from a different world. I fulfilled my role and decided to return to my original world. Before leaving, I confessed my feelings to my escort knight. And from there I was heartbroken. After returning to the original world for a year and half, I was summoned again. What? Apparently this time, nobody summoned me. I was sent out to a great extent and have a lost love. I cannot face anyone now! No one knows that I was a former Priestess and I can only quickly return to my original world. Even so, it does not seem to work out very well…

Su Xiaoman is a fake daughter of a wealthy family. She is not related to her biological parents. She is rejected by her adoptive parents.
When she woke up again, she found herself wearing a book and became the village flower Su Xiaoman in the 1970s.
Su Xiaoman is the best wife of a chronology villain male supporting role.
The original Su Xiaoman, who dislikes poverty and loves the rich, is devoted to climbing high branches, and is obsessed with Jiang Yantang, the educated youth male protagonist who just went to the countryside.
Su Xiaoman is unwilling to marry Xie Mingtu because of his innocence, and is still obsessed with the male protagonist Jiang Yantang. Who knows that not long after, the second brother of the male protagonist Jiang Yantang went to the countryside to visit relatives, and found that the poor boy Xie Mingtu was the child of the Jiang family, and the male protagonist Jiang Yan Tang was held wrong.
Xie Mingtu returned to Jiang’s house in the courtyard, but he was ridiculed and ridiculed because he was gloomy and vulgar, and he couldn’t compare to the fake boy Jiang Yantang, and his wife was even more obsessed with Jiang Yantang…
In this way, Xie Mingtu was completely blackened, mad and ruthless, and became the biggest villain in the book, and ended up tragically.
When Su Xiaoman opened her eyes, Xie Mingtu, the biggest villain in the book, was about to feed her rice soup. Her clothes were tattered and her bones were thin. When she saw her wake up, her tone was humble and cautious:
“Manman?”
When Xie Mingtu thought that the woman would not give him any response, a pair of slender and tender hands grabbed his thin wrist.
The former wealthy fake daughter x the real son of the courtyard
[Growing-up male and female protagonists, the male protagonist has super potential. In the early days, he drove a tractor in the village, and later joined the army to fly a plane. 】

Content tags: sweet text through the book chronological text
Search keywords: Protagonist: Su Xiaoman ┃ Supporting role: ┃ Others:
One sentence introduction: True and false collision.
Purpose: work together, work together to become rich, and live an optimistic and positive life in the era of struggle.

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