Dad, Please Try a Little Harder - Chapter 50 - Do You Mean Qian Quan?_l

As long as hamster spirit Shu Shu can survive the lightning tribulation, then his cultivation will be able to turn him into a human. In the end, the lightning tribulation strikes him and he arrives in the… future?

Touching the hamster’s ear on his head, in order not to be seen by people and taken to be a monster, Shu Shu decides to dig a hole in the forest to hide and live, and as a result… a very big snake aaaahhhh! Please, don’t eat me!

The crown prince of the beast empire is seriously injured and becomes a beast that could no longer change into human form. He lives alone in the forest. One day, he sees a cute sub beastman deep in the forest. The sub beastman also sees him. At once, the sub beastman’s eyes roll backwards and he faints…. Scared to death?

Shu Shu: I have a unique technique of faking death.

- Description from Novelupdates

A modern university graduate, traversing the window between two worlds, steals a celestial cultivation opportunity that originally did not belong to him. And this celestial technique, quite unorthodox...My credibility should be assured. In order to be responsible to the readers, I must earnestly remind you: my book is easy to linger on in your thoughts, so proceed with caution.

This is a brand new story.

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.