Cultivation: I Can Add Descriptors To My Body - Chapter 91 - : Perfected Foundation Establishment

I seem to have reincarnated in the world of an r-rated romance fantasy novel. And not just as an ordinary character, but as the witch who loses her life to the crazy male lead!

Luckily there is a long 200 years until the main characters are born and grow into their roles.

Now that my life is not in imminent danger, shall we leisurely think of ways to avoid death?

However, I had not taken notice of a very important detail about the time I’d be spending ‘safe from imminent danger’. 200 years was by no means a short waiting period and by the time the younger version of the male lead appeared in front of me , I had completely forgotten the original novel’s plot!

Oh, whatever, now that it’s come to this, the only way to survive is to raise the male lead into a sane and stable adult! The first step to avoiding death by the hands of the tyrant male lead is changing this extremely frightened child’s life.

“It must be very inconvenient for you to have me suddenly show up on your doorstep, I’m sorry. You can tell me to go away, I’ll be fine.”

“Nonsense. Do I look like someone who could be inconvenienced by a little boy like you? Also, what do you mean by you’ll be fine even if told to go away? It’s not like you have anywhere to go back to, kid.”

The little boy burst into tears.

‘Oh, this is so not it.’ Was what the witch thought to herself as the little boy sobbed

After being torn from the only life she knew, 16-year-old Margo is forced into a new home with strangers who call themselves her parents. Haunted by memories of her past and consumed by feelings of isolation, she struggles to adapt to her unfamiliar surroundings. School offers little relief—until she meets Lucien, a mysterious boy who appears just when she needs a friend the most.Gabriel is everything Margo needs: kind, attentive, and always ready to whisk her away from her troubles. Each night, he invites her to secret places—an abandoned playground, a fog-choked garden, a crumbling train station at the edge of town—each more unsettling than the last. Yet with every chilling rendezvous, Margo feels more alive... more seen.But something isn’t right. Gabriel never comes to school during the day. Her adoptive parents never see him. And when they catch her talking to thin air, their concern deepens into fear. They say Gabriel isn't real—that he’s a figment of her imagination. Margo wants to believe them, but Gabriel feels real. More real than anything else in her life.As the nights grow colder and more twisted, Gabriel’s true nature begins to surface. Shadows move where they shouldn’t. Time warps in his presence. And the places they visit seem to echo with whispers from another world. Margo is forced to ask herself: Who—or what—is Gabriel? Why does he only want her? And what will happen on the final night he asks her to come with him?As the line between reality and delusion begins to crumble, Margo must make an impossible choice: stay in a world where she feels loved, or return to one that barely feels real.But one thing is certain—some friendships never let go.

After losing his parents in a car accident, Ryan immediately caught his fiancee cheating on him with his best friend. In just a few days, he lost everything he loved, so Ryan decided to buy a house in the mountains to process all those events. However, something happened before he could even enter his new home: the end of the world. Monsters began to appear out of nowhere, and dragons began to dominate the skies. After losing everything, Ryan, who had lost his sense of reality, found new goals with the world in that state: survive and get stronger. Dungeons, classes, monsters, skills, the chance to obtain the DNA of other monsters... Ryan was decided to use them all because he no longer would become a spectator in his own life. Maybe with power, he won’t lose anything anymore. The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.