All-rounder Artist - Chapter 224 - 209: Good luck to a new generation of friends_1

In Zhenhai City, the Chu Family receives an imperial decree that revives the hope of reclaiming their ancestral title, but only if a descendant places in the top three of the Martial Examination. For young Chu Yangxiang, who unexpectedly discovers he has Grade 1 Martial Dao Talent, this honor seems within reach. Yet, as he rises, envy and family rivalries emerge, with the privileged Chu Xiaoxiang demanding loyalty—or threatening to ruin him.Determined and battered, Chu Yangxiang faces a brutal choice: submit or fight for his family’s legacy. Will he overcome these powerful?

A decade ago, the first dungeon gates appeared, but some vanished before they were ever conquered. The MC, a low-rank hunter, awakens the Lost Gate System, granting him access to these forgotten dungeons where legendary monsters and artifacts are trapped. Each completed lost gate grants him absurd power, but also reveals terrifying truths—these dungeons are prisons for ancient beings who want revenge.

When a glowing portal yanks Leo from his struggling existence, he is saved by a mysterious system which gifts him new chance to break free from his side character experienceRebuilding an abandoned guild to honor his family’s legacy, Leo finds himself under the evil eyes of monsters, both from humanity and the gates he ventures intoin short : overpowered necromancer building a guild.

“Starting from here is where you will create Civilization”. It was the first sentence heard by over a million different players.

A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

Build a village, build a city, build a kingdom, forge friendships and keep your friends close. Make weapons and grow stronger.

What will our protagonist do in this world? And will the real world affect him in any way?

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.