Reborn In 17th century India with Black Technology-Chapter 732: Bahubali 3- The Conclusion Part 3
In silent rooms and empty palaces, the reading continued. The first part of the novel was very intriguing which immediately sucked in the attention of the readers like a good well-thought-out manga.
Narai grunted as he read on.
While Amarendra Bahubali is on a tour of the kingdom, back in Mahishmati, Balala Deva manipulates events to turn Shivagami against Amarendra. He tricks Shivagami into believing that Amarendra’s growing popularity threatens the throne. Balala Deva, having seen Amarendra’s love for Devasena, devises a plan to drive a wedge between mother and son.
David Grasso, sitting in his restaurant, cursed with gritted teeth. "This vicious twat." For him, who is reading all three novels for the first time in continuation, the story was more impactful.
Shivagami sends a marriage proposal to Devasena on behalf of Balala Deva, unaware of her son’s relationship with the princess. When Devasena receives the proposal, she boldly rejects it as she has already given her heart to Amarendra. Angered by her refusal and the perceived insult, Shivagami commands Amarendra to either accept her decree or relinquish his claim to the throne.
Reading to this part, Roxana Atashban sharpened her eyes and clenched her fists. She wanted to immediately stab someone right away—that was how much anger she was feeling, "This stupid old hag."
Amarendra, choosing love and righteousness over power, stands by Devasena. They return to Mahishmati as husband and wife, further straining the relationship between Amarendra and Shivagami. Although Amarendra remains loyal and dutiful, Balala Deva continues to sow seeds of doubt, portraying him as a rebellious and power-hungry threat.
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Amarendra’s popularity grows as he continues to win the love of the people with his compassion and wisdom. Devasena, unafraid to speak her mind, confronts the royal family about their mistreatment of her husband, which further angers Shivagami. Meanwhile, Balala Deva, with the help of his father Bijjala Deva, schemes to eliminate Amarendra permanently.
"No wonder this cripple did not get the throne. With his mindset, if he did get it, there is no surprise if the whole kingdom gets burnt down and goes to shit," Sarvesh mutters with a dissatisfied tone.
Using his father’s cunning and his own deceit, Balala Deva convinces Shivagami that Amarendra is plotting to overthrow the throne. Shivagami, believing her kingdom is at risk, secretly orders Kattappa, who is bound by his oath to protect the throne, to kill Amarendra.
Priyanka Deshmukh immediately flew into a rage, "O this blind old sneaky bitch! Clearly, your vicious prick of a son is lying to you. How can you be so blind? I knew you wouldn’t take things lying down after Amarendra chopped the guy’s head off in the court for disrespecting his wife, which made you feel like you had been trampled on, but really, asking Kattappa to kill Amarendra—are you out of your mind?" She was fuming with rage; it was as if yelling at the book would lessen the anger she was feeling.
Due to an unfortunate event, Kattappa carries out the command. While protecting the kingdom from an external threat, Amarendra is lured to a secluded place where Kattappa stabs him from behind. As Amarendra dies, he forgives Kattappa, understanding that the loyal commander was only following orders.
"It is your sin, Shivagami—yours to bear."
When Kattappa directly confronted Shivagami head-on with the blood of Bahubali still drenched on his hands—
"Tsk. What’s the use of realizing now? Amarendra is already dead due to your pride and clouded vision," King Narai sneered.
Realizing the truth too late, Shivagami is filled with remorse. Meanwhile, Balala Deva seizes power, imprisons Devasena, and declares himself king of Mahishmati.
The story finally returns to the present, where Mahendra Bahubali, the son of Amarendra and Devasena, has learned the truth about his father’s death. Raised in secret by tribal villages, Mahendra vows to avenge his father and restore justice. With the support of Kattappa, he canvasses loyal followers and ignites a rebellion against Baladeva’s tyrannical rule. Mahendra infiltrates the palace, rescues Devasena from her 25-year-long imprisonment, and publicly declares his identity as the rightful heir—Mahendra Bahubali. The oppressed citizens of Mahishmati rally behind him, rising up against Balala Deva’s tyranny. Meanwhile, Kattappa, haunted by his guilt, pleads to help Mahendra reclaim his father’s throne.
Queen Lila’s eyes were really complicated, "This tool man is very likeable. Why don’t I have such a tool man? I wouldn’t have to rely so much on the Bharatiya Empire if I had a capable person."
A grand and devastating battle erupts between Mahendra Bahubali’s forces and Bala Deva’s army. Using the war strategies taught by his uncle Kattappa and his own ingenuity, Mahendra overcomes the impossible odds.
In an intense showdown, Mahendra, with his bloodline in full force, confronts Baladeva, who is similarly riled up with his blood boiling, mirroring the strength and valour of his opponent. After a brutal fight, Mahendra uses a flaming chariot chain to bind and drag Baladeva through the palace. Devasena, reclaiming her power and dignity, fulfils her vow of vengeance by setting Balala Deva on fire, ending his reign of terror.
Mahindra ascends the throne, honouring his father’s legacy while promising to rule with fairness and compassion. The novel ended with Mahindra and his two mothers standing proudly before the people, signalling a new era of peace and prosperity for the kingdom.
Tamblot, Alex Ferritio, David Grasso, Edward Harrington, Raghavendra Kulkarni, Priyanka Deshmukh, and Uday all put down the book with an empty heart. Everyone felt lost when the novel was over—the process of reading the novel, waiting for its sequel, anticipating the storyline, and having discussions with friends about possible ways the story would go is no longer possible.
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A few days passed, and the word of mouth was immense. The excitement centred around the Bahubali trilogy was extraordinary.
The sales volume, which should have logically dropped after the first day’s explosion where the die-hard fans bought the book, did the total opposite. Instead, the sales volume continued to rise. By the end of the week, in the whole sphere of Asia, the sales of the book had already crossed one million copies. As for Europe, the 200,000 copies which were thought to be plenty were sold out in five days. Unfortunately, they cannot be replenished immediately since, give or take, there is a month-and-a-half communication gap between the European continent and the subcontinent.
Honestly, Meera is not aware of this, but even if she was, she would not be disappointed or panicked. Instead, she might actually be a little happy for multiple reasons. For one, the book is doing so well in Europe, and it is bound to create a lot of curiosity there, while its unavailability should make it and its previous copies more valuable. This inadvertently drives up the value of the Bahubali trilogy, making it acceptable at least to some elite class in Europe who have their own judgments.
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The other reason was that with Europe being so far away, she did not have to rush to get the production done, and in the meantime, she could put all her attention on expanding the production for distribution in the local market.
It’s the final week of the month, and the novel finally surpassed the 1 million mark, which took over six months for the first and second volumes to achieve. From the first month alone, the revenue of Raya Media Corporation brought by the Bahubali trilogy novels has crossed 30 million Varaha, with each book priced at 30 Varaha. Unsurprisingly, the sales volume of volume one of Bahubali has surpassed 2.5 million, and the sales of Bahubali part two have exceeded 2.3 million.
Everything added together, this was the most successful month for Raya Media Corporation and the novel industry of the Bharatiya Empire as a whole because a lot of people who were not previously readers were attracted due to the absolute juggernaut that was Bahubali.
The news headlines, no matter where had constant praise for the novel.
Times of Bharat:
"Bahubali 3 Breaks All Records—The Most Successful Novel in the History of the Bharatiya Empire!"
Bharatham Daily:
"From Delay to Domination—How Bahubali 3 Surpassed 1 Million Sales in Just a Month!"
The Observer:
"Bahubali 3: The Conclusion Becomes the First Novel to Cross 30 Million Varaha in Revenue—A New Era for the Bharatiya Publishing Industry!"
Kannada Nudi:
"From Myth to Modern Legend—Is Bahubali 3 Now Comparable to the Great Epics?"
Bangla Barta:
"A Gamble That Paid Off—200,000 Varaha Marketing Push Propels Bahubali 3 to Unprecedented Success!"
La Voce del Canal Grande:
"’Baahubali 3: La Conclusione’—How This Epic from the Bharatiya Empire Captivated Readers Across Europe."
Vedomosti:
"Бахубали 3: Заключение—Archduke Peter’s Newspaper Declares It ’A Cultural Phenomenon of the Modern Age.’"
Gaceta de Madrid:
"Critics vs. Readers—Despite Literary Skepticism, Bahubali 3 Outsells Spanish Bestsellers Once Again!"
Gazeta de Lisboa:
"Bahubali vs. Bourgeois—Will Kavya Devaraya’s Epic Continue to Outsell Europe’s Literary Elite?"
P.S. Sorry for being so inconsistent recently. I’m not gonna lie—I’m still binge-watching the TV series I recently found. The good news is it’s over, and maybe permanently, since they pretty much gave an end to the series without the open-ended BS.
Again, sorry—but for what it’s worth, I don’t usually watch TV series so intensely unless I find their vibe to my taste. It’s pretty rare for that to happen since the last TV series I watched continuously was a few years ago. So yeah, we should be safe for at least a year until I find another attractive TV series like the one I watched over the last three days.
