Domineering Mr. CEO and His Impudent Love-Chapter 2329 - 35: Plotting to Seduce David Redington
Satisfied?
Elizabeth Henson was suspicious of whether the David Redington in front of her was really himself... Clearly, just yesterday, David was telling Elizabeth to minimize Leslie Howard’s scenes with him.
How did it turn into being satisfied today?
Then at this morning’s opening ceremony, what was it about suddenly pulling Leslie Howard into the lounge to reprimand her?
Could it be after so much scolding, a conscience appeared, and he suddenly changed?
Director Henson’s mind was now inexplicably occupied by countless question marks, while Winona Wallace next to her was already fuming with rage.
David Redington simply and cleanly cut ties with her, using "irrelevant person" to describe her, which was already enough to make her choke with anger.
But she absolutely didn’t expect David to say something like "very satisfied with Leslie Howard."
What does this mean?
Does he truly view Leslie Howard differently?
Or does it mean, compared to Leslie Howard, she, Winona Wallace, is nothing to David?
Winona Wallace is the eldest daughter of the Wallace family, having been cherished since childhood, with ambitions far above ordinary people.
She has always been the best, whether it’s looks, figure, temperament, career, or men, she has to be ahead of others.
Years ago, when Sheila Fletcher brought Leslie Howard into the Wallace family, Leslie grabbed her spotlight once at a banquet, totally unaware, and she could hold a grudge to this day.
She even suppressed her for years, not allowing Leslie Howard to rise.
Such a narrow-minded, haughty young lady, how could she tolerate Leslie Howard holding a position more important than hers in David’s heart!
Winona Wallace suppressed that stuffy feeling in her chest, conjuring up a gentle smile: "If you are satisfied with Leslie, then I can be more at ease. Actually, Leslie hasn’t had it easy either. She became famous too early and got dazzled by the glamorous world, failing to stay true to her heart. Indeed, she was a bit reckless in recent years, but she has restrained herself a lot recently... Don’t worry, David, since you trust her, I will keep an eye on her and ensure she doesn’t cause trouble in the crew."
"As for the script... you and Director Henson can decide, I have no opinion."
After speaking, Winona Wallace elegantly sat down, her beautiful eyes softly looking at David Redington, adopting an attitude of complete compliance.
In the bedroom, Leslie Howard saw Winona’s response, and even though the two were archenemies, she couldn’t help but applaud Winona.
The eldest daughter of the Wallace family truly mastered the art of patience.
Clearly, she hated her to the core, and their private encounters were never pleasant, but in front of David, she could deliver such an exemplary performance of understanding and gentleness.
No wonder those outside were being played around by Winona.
If she hadn’t seen Winona’s true colors long ago.
Even Leslie Howard herself might have been deceived by her hypocrisy.
"Cough, cough, I have no opinion, no opinion... Both scripts are good, David is the investor and producer, whichever he thinks is good, let him choose." Director Henson touched his nose, feigning a light-hearted effort to break the slightly awkward atmosphere.
Winona Wallace truly had good breeding, having been publicly snubbed by David, yet she still spoke softly considering him.
Director Henson didn’t know what prompted David to change his mind suddenly, but to avoid creating displeasure as everyone was just starting to work, he could only play along as the mediator.
The few of them discussed some script details again, and Director Henson showed no intention of leaving.
He’s a workaholic; once the script was settled, he still wanted to communicate with David and Winona about tomorrow’s shoot.
And as for Winona, though she wasn’t eager to stay up late, eager to have her beauty sleep.
But since David was present, and this was his room, she couldn’t help but think more.
Winona was even contemplating, when leaving later, whether to walk slower to be the last one to leave.
When the director and screenwriter walked out of the room, should she pretend to twist her ankle and fall into David’s arms...
[Next Chapter around 18:30]



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