The Sweetness of the Seventies - Chapter 1168 - 1137

There’s a trend infecting stories lately—all because of boys reading these stories rather than men.Villains who think being “dark” means having dead eyes, a tragic past, and a dick that solves all problems.They get betrayed once, and suddenly it's their life's mission to destroy the world—or worse, emotionally blackmail heroines in the name of “revenge.”Slap on a black coat, stare at walls, say something like “love is weakness”—and boom, readers start calling them “deep.”But let’s be honest:> They’re not villains. They’re just edgy losers with a god complex and a hard-on trying to satisfy the inferiority of their readers.Some of them turn so cold, they forget why they started. Others get so lust-drunk, they think sleeping with a heroine is “domination.”That making her cry is “control.” They think power is measured by how many women they can ruin. But really?> They’re just boys trying to look like men.Just like their followers who are the boys who hide their masculinity inside a woman's virginity.They go around in the review section asking if the women of the main character would be stolen and all... giving it fantasy names like NTR and all nonsense.As if they want to scream their fear out.“Please don't, I hate it... because I am a gay who doesn't even have the confidence that my woman will remember me once she gets someone better....” one of the loser’s internal thoughts.They don't want their puny hearts to be crushed.Their masculinity is so weak that it crumbles the moment they think about some other man having the women they love and her forgetting those boys for the men.And they just project that weakness of themselves in their main characters, thinking that just like them, their main characters should be weak, should be a fantasy monger who hoards women like trying to hide the incapabilities of those followers who never in their life would have held a hand of a woman.Harem has now become a way to satisfy weak audiences who feel more women mean more security for their hearts.Forgetting that Harem in truth means the masculinity is so HUGE that it needs an ocean of FEMININE to hold.Tch, not like the boys with breakups and fear of being cucked will ever realize.They treat fantasy as escape and character as their way to feel that they are men.So, naturally, to have such a huge amount of followers, authors are forced to pour the density of such books holding such weak characters in the form of the cold MC who collects harem, manipulates one or two, fucks around, and finally satisfies readers until they feel bored and drop the book....Because to those followers, they themselves realize in the long run that the story isn't satisfying even if the villain is the same cruel man.So why?Simply because they were until now reading kind boys wearing the mask of a man, and acting as a villain.Their MC, just like them, doesn't even know themselves, their needs, and what their inner soul wants... not understanding that...Fucking a woman doesn't make you her god. Breaking her spirit doesn't make you a king. And calling yourself a villain just because you were too weak to heal?That’s not power—that’s coping.And for followers—that's doping.Real villains? They don’t whine. They don’t treat women like checkboxes or trophies. They don’t mistake lust for legacy.> They don’t need to act cruel. They are cruel. Calm. Focused. Dangerous in silence. They don’t need to chase power—they embody it.This story isn’t about a guy who gets played and suddenly thinks he’s entitled to vengeance sex.This is about a villain who doesn’t....Ah, screw this shit. Just read the story already![ No Dumb Heroines ] [ No Cliche Plot ] [ Original Content ] [ Fan Services here and there ] [ R-18 might not come soon enough ] [ Yandere ] [ Tsundere ] [ MILF ] [ Dragon ] [ Elves ]

There are a lot of things wrong with Liv Brodbeck. She’s too small, for one thing. When she works in the castle kitchens with her mother, she can’t carry a sack of flour or roll a keg of ale. Baron Summerset’s chirurgeon says that she has brittle bones, so she isn’t allowed to wrestle or sword fight with the other children. Even sledding downhill in the winter brings the risk of breaking an arm or a leg if she falls. Everyone says that she ruined her mother’s life when she was born. Not when they think Liv is in the room, of course, but she overhears all the same. In the kitchen of a less kind lord, a cook bearing a bastard child would have been more than cause enough for both of them to be out on the street. No, a child like Liv doesn’t have much hope. But when she accidentally unleashes a surge of wild magic, she takes her first step on a journey which will lead her from the kitchens of Castle Whitehill, to the cold palaces of the Eld, and beyond, to the graves of gods... What to Expect: - MC starts off very weak, with a lot disadvantages - not just physically weak, but also vulnerable in a socio-economic sense. She has talents, but it is going to take time to develop them. I want to give this process room to breathe, so I hope you enjoy long-term progression. - The MC begins the story as a child. As she grows up, she will have relationships that I intend to be appropriate for her stages of life, BUT THERE WILL BE NO SEXUAL RELATIONSHIPS UNTIL SHE IS AN ADULT. Expect eventual teenage drama progressing into more adult relationships. - There is action, but it is not constant action, and it will again be appropriate for the MCs development. As a child, she will be challenged by child things, and as she grows into power the scale of threats will increase.

Collapsed without warning, and upon awakening, he found himself back in his childhood.He thought it was a blessing from above, but unexpectedly, tumultuous changes ensued, shrouded in mystery...

For ten long years, Adam was a prisoner within his own body, paralyzed and helpless, silently observing a world he couldn't interact with. As his life finally ebbed away, connected to hospital machines, his last conscious thought wasn't one of peace, but a desperate, burning wish hurled into the void: If I get a second chance, let me be the strongest.The universe, in its mysterious ways, answered. Adam was reborn, not into light, but into an infinite, suffocating darkness. Yet, within this void, he discovered an astonishing truth: he possessed unimaginable power. Reality itself seemed to bend to his mere thought; he could conjure wonders or horrors with a whim. He was, by all measures, the most powerful entity imaginable. But this godlike power came with a cruel twist – he was utterly trapped, unable to escape the encompassing darkness.His prison, he soon grasped, wasn't empty space. It was the consciousness of another being. He was an unseen passenger, a silent god locked within the mind and soul of Eric, the unassuming Third Prince of a kingdom unknown to Adam. Eric, frail and seemingly ordinary, was completely unaware of the cosmic powerhouse dwelling within him.Adam's initial goal was simple: escape or seize control. But a chilling revelation halted his plans – his existence was inexplicably tethered to the prince's fragile life. If Eric died, Adam's own newfound power, perhaps even his very being, might shatter. A reluctant protector was born from a desperate prisoner.Now, Adam walks a razor's edge. He subtly guides and shields his unwitting vessel, Eric, from the dangers of court intrigue and hidden enemies, intervening with earth-shattering displays of power only when Eric faces certain death. These brief, terrifying moments where the “weak” prince unleashes godly might leave the world baffled and fearful, whispering legends of the prince's hidden potential.To navigate this precarious existence and perhaps forge a path to his own freedom or dominance, Adam devises a unique tool: a 'System' granted to Eric. Is it a gift to empower his host, a means to strengthen the vessel for eventual takeover, or a dangerous gamble with unforeseen consequences?As Adam fights unseen battles, protecting Eric while plotting his own endgame, questions linger. Can he ever break free? Will Eric discover the terrifying truth of his inner 'guest'? And what will happen when the world realizes that the power shaking kingdoms doesn't belong to the prince, but to the ancient, godlike entity trapped inside him? His journey is one of immense power bound by frustrating confinement, a hidden war fought within a single soul, where the fate of a prince and the ambition of a captive god hang in the balance.