The Grand Duke's Soulmate - Chapter 166: Her Clarification And His Plan

Dual Cultivation is an art. The more you focus on doing the art, the worse it becomes. Only when doing it becomes part of the art itself, does one truly experience it to its fullest.

She married a driver she just met. However, the last thing that had ever come to her expectation was that her bridegroom was no other than the most mysterious billionaire in the city. This marriage brought her baby twins. Thus, she worked harder to support this family. She was the queen of the entertainment circle. When she met the king who dominated the business world, she finally knew her husband’s true identity.

Take over a Homeworld mothership and travel to the world of Star Wars?

Tang Xiao: “This world is so dangerous. Mom, I want to go home.”

Wait a minute, the mothership database actually has “Original Sin of the Solar Empire”, “Halo”, “EVE”, “StarCraft”, “Stellaris”? ?

And there are still Jim Raynor, Master Chief, and Archbishop Artanis sleeping in the freezer?

Tang Xiao: “Humph! They will all bow down at my feet!!”

The Fourth Calamity… ah no, long live the Fourth Empire!

- Description from novelbuddy

On an apparent normal Sunday, Luke suddenly woke up after hearing a voice warning him of something weird. After assuming that it was just a bizarre dream, he felt an earthquake that nearly destroyed his dormitory. As if things weren't odd enough, a zombie suddenly appears in his room and targets him.Somehow, Luke survived several encounters against the zombies thanks to his skill Weapon Augmentation, but then he suddenly finds a mini-sized elf and a mini-sized dark elf telling him that they want to help.After a stranger offer, Luke learns that something very big is happening with the planet, and now he will have to find the strength to fight against zombies and all kinds of weird creatures that want his neck... he will do all that while avoiding being tempted by those two very suspicious elves.The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.