The Game at Carousel: A Horror Movie LitRPG - Chapter Forty-Five: The Wager

Hey, my luck is pretty good… I have transmigrated into the body of a rich young master!

What’s this? A brat who told him not to look down on others… WHAT?! Did you say that he’s someone of discipline and determination? Why does that sound so familiar?

What’s that? A cripple who came from a fallen clan whose fiancee just broke off the engagement?! Wait a f*cking minute…

Huh?! I’m responsible for his broken engagement? His supposed fiancee seems to be looking at me with a…

Am I the villain of this story?! No, no, no. This won’t do. I’ll suppress them all before they get the chance to mature. I’m not going to commit the same mistakes as those losers in the novels I read in the past!

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Passerby-A is increasingly dissatisfied with their small part in the drama. By chance, Luo Ran was born because of this one sentiment. Her purpose is only one – to add scenes!

If you want to add scenes, you have to be with people who have more scenes. And those who have the most, are the male lead!

In the imperial harem, she is the second-class maid-in-waiting who died early beside the female lead.

In the immortal world, she is a flower demon who was mistakenly killed by the female lead before she was transformed.

In the CEO world, she is the smart secretary of the President.

In the entertainment world, she is a singer who has nothing to do with the male lead.

Luo ran uses these identities to attack the male lead and fulfill the desires of passers-by A; to add more scenes!

TN:

Passerby-A = Anonymous person, someone unimportant with a tiny role.
Add scene = to add value to a role with more scenes.

- Description from Novelupdates

For a million worth of contract, she became a surrogate mother.

He was the chief executive of the Empire and she was of lowly birth. With her adoptive father’s business falling into crisis, she agrees to his contract.

She gave birth to twins: the older brother is healthy, while the younger brother didn’t breathe out. Fulfilling the contract with a huge monetary sum as the reward, she disappeared from his eyes.

Six years later – he was still the cold high-profile president, but when she is accidentally imprisoned in the cage of his golden birds he pressured her harder and harder: “Woman, do not think you can escape my hands!”

The old-fashioned man: “Mu Yazhe, you’d better leave her alone, this is the child’s mother!” The man becomes frightened, questioning the reason this child’s features bears such resemblance to…

The Empire stands triumphant.

For twenty years the Dread Empress has ruled over the lands that were once the Kingdom of Callow, but behind the scenes of this dawning golden age threats to the crown are rising. The nobles of the Wasteland, denied the power they crave, weave their plots behind pleasant smiles. In the north the Forever King eyes the ever-expanding borders of the Empire and ponders war. The greatest danger lies to the west, where the First Prince of Procer has finally claimed her throne: her people sundered, she wonders if a crusade might not be the way to secure her reign. Yet none of this matters, for in the heart of the conquered lands the most dangerous man alive sat across an orphan girl and offered her a knife.

Her name is Catherine Foundling, and she has a plan.

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A Practical Guide to Evil is a fantasy series about a young girl named Catherine Foundling making her way through the world – though, in a departure from the norm, not on the side of the heroes. Is there such a thing as doing bad things for good reasons, or is she just rationalizing her desire for control? Good and Evil are tricky concepts, and the more power you get the blurrier the lines between them become.