The Freak Show Foreman - Chapter 96 - : Test of the Rose Windmill Cabaret (End)

The female protagonist of this book is a zombie (probably!) The male protagonist of this book is an air (maybe, but you can’t see it?) The system of this book is a bastard (like to open a mouth too much?) Anyway, this is a story about zombie with a memory, going back to the past, but accidentally turning this book into a story of a savior! (Huh? What? There is a killer? No, believe the author, she really did not kill, really! (No wonder!)

The heroine said: The title of the book and so on are all fake!

- Description from Novelupdates

Elara was not a nosy person, but something about her supposedly perfect boss helplessly weeping at night in an empty office triggered her curiosity.Mr. Terrence, her boss, was the ideal image of perfection: powerful, rich, and amiable. There had not been a single flaw in him until the day she saw the crack in his mask.Not only was he not the dominant figure she had assumed, but he was also clingy, sweet, and... wasn’t this the ideal puppy boyfriend?! How was this possible? Her boss was actually a secret softie!Follow Elara as she navigates the chaotic relationship with her 'perfect' boss, filled with nothing but surprises!

If she could use any three words to describe herself, Jiang Yue would say that she is rich, beautiful, and extremely smart. Unfortunately, she took these for granted in her past life, causing her downfall.

“Starting from here is where you will create Civilization”. It was the first sentence heard by over a million different players.

A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

Build a village, build a city, build a kingdom, forge friendships and keep your friends close. Make weapons and grow stronger.

What will our protagonist do in this world? And will the real world affect him in any way?

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.