Side Character Transmigrations: The Final Boss is No Joke - Chapter 10

Tunnel Rat is being revised. I have finished the revised manuscript for Book one, which comprises Chapters 1-60.

At some point, the first book will be published on Amazon. A few chapters and an outline of the first book will be left here on RR, and the bulk of chapters 1-60 will be removed, stubbing the book. I will give warning before that happens.

Milo lives in a steel cave within a man-made mountain of steel and concrete. He spends his days repairing the machinery that keeps the habitat livable and tinkering with the prosthetics that help his twisted body move about through the small tunnels and air shafts that are his world. He's as much a piece of discarded machinery as the equipment he keeps running.

Given a chance at being someone different will he become a hero and live in the sunlight? The light beckons, but there are secrets buried in the ground. Ancient mysteries left by races that delved deep and stayed below. Maybe only a tunnel rat could find them?

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"The boy has no powers," they claimed.

Sixty years after the global catastrophe, the Little Freeze Period ended, and the governments of the living regions began to collect land in the anarchic areas to be planned on a large scale, reorganized resources, and entered the recovery stage in an all-round way. These two decades are also called “golden Twenty years”.

This is a bright era in which new regions are rising one after another, politics is set up, capital is acting, careerists are everywhere, heroes are powerful, villains and grassroots are rising together! A young man rises up in troubled times with a full stomach of strategy, hides a tiger in his chest, and measures the world.

- Description from novelbuddy

Lu Chen woke up to find himself participating in a live-streamed creative competition show!Contestants were tasked with creating works based on themes given by the show.When the theme ‘Countryside’ was announced, other participants quickly began crafting heartwarming rural stories, tales of pastoral love, and picturesque depictions of harmony and simplicity.Lu Chen decided to take the road less traveled—he wanted to blow the audience away!He chose ‘Operation Icebreaker’ as his inspiration.At first, the audience thought they were getting a story about rural development. But as the plot unfolded, something felt… off.A village of 20,000 people, every household with the same type of large pot, and a full-scale drug production operation?The internet exploded.[Countryside theme, and you’re writing about a drug-making village getting rich together?]The producers were in chaos.We said countryside! What’s this Taizhai nonsense?Lu Chen, unfazed, replied, “Director, rural anti-drug campaigns are a countryside theme. Now, are we sticking to the theme or not?”And thus, the Master of Sticking to the Theme was born.Given the theme Fishmonger, he wrote The Legend of Gao Qiqiang.