Shini Yasui Kōshaku Reijō to Nana-ri no Kikōshi - Chapter 62 - City of Canals (part nine)

“I shouldn't have used illegal downloads in the first place.”

Ian woke up in the middle of a strange swamp as his own terrible character.

In a dark era on the verge of destruction, the hopeless character struggles to safely return to reality.

“Doc, it’s like the game I made is becoming a reality.”“Isn’t that nice? People are under so much pressure at work these days, but you can get away from it all, play the game, and live the life of your dreams.”“But I’m a famous ghost story game designer, I’ve conceived one hundred and twenty-six mu*der cases, portrayed dozens of mu*derers with different personalities, and to find material I’ve watched ninety-five thriller movies, more than four hundred horror comics, and collected more than two thousand urban weird tales. Now they all seem to be true!”“So …… do I look familiar to you?”

Passerby-A is increasingly dissatisfied with their small part in the drama. By chance, Luo Ran was born because of this one sentiment. Her purpose is only one – to add scenes!

If you want to add scenes, you have to be with people who have more scenes. And those who have the most, are the male lead!

In the imperial harem, she is the second-class maid-in-waiting who died early beside the female lead.

In the immortal world, she is a flower demon who was mistakenly killed by the female lead before she was transformed.

In the CEO world, she is the smart secretary of the President.

In the entertainment world, she is a singer who has nothing to do with the male lead.

Luo ran uses these identities to attack the male lead and fulfill the desires of passers-by A; to add more scenes!

TN:

Passerby-A = Anonymous person, someone unimportant with a tiny role.
Add scene = to add value to a role with more scenes.

- Description from Novelupdates

It was understood that this was a capitalist country, where the possession of the greatest amount of capital determined to whom the nation effectively belonged.The smile that had been resting on William Sheffield’s face was abruptly erased as his expression turned cold. In a tone laced with determination, it was demanded by him that the police be contacted immediately so that they could crush those who stood in their way. The reasoning behind his words seemed clear: if such actions had been taken before by someone like Rockefeller, then why should it not also be possible for Sheffield?A sense of irony hung in the air as the sentiment was expressed—this was America, where each day seemed to unfold as though it were part of an ongoing shootout, with battles fought not just with guns but with power, influence, and wealth.