Remarried Empress - Chapter 16: Want To Make A Bet? (1)

A rookie clerk asked his senior curiously: I heard our President is already married?

A scientific genius named Thomas Harrier was transmigrated to an imperial prince body after a car accident that took his life. He found out that he is in a world similar to our own with a timeline akin to early twentieth century. The body that he is occupying was the imperial prince of a failing empire who suddenly rose to power after a successful assassination attempt of his father. Unaware that the attack is just the beginning of what is to come. He faces many challenges throughout. Will Thomas Harrier be able to live his second life in peace while running an empire and getting it back to its former glory? Or will he succumb into a conspiracy lurking within the country's borders?

Expect some:

Cold war era techs.

Super battleship with advanced electronics, propulsion, and fire control systems?
Helicopters?
Missiles?
Modern medicines and equipment?
AC-130?
A nuke?
Challenger or Abrams or Leopard?
F-4 Phantom or MIG-21?
Colored TV's.

Everything!!!

PS. Cover not mine, I just found it on google.

Chu Nan was just an ordinary student, but because of an accident, he obtained the data collection, analysis and processing ability equivalent to the most advanced optical brain.

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.