MTL - Qiang Jin Jiu - Chapter 140 suburbs

Klein’s greatest wish is to transmigrate to another world and live life in an isekai, just like in anime, manga and novels. However, fate is on his side and the typical truck that the main characters always carry in isekai runs over Klein. But, to his bad luck, he lived a few more days in the hospital and, just on the day he died, Klein heard a ⟨⟨-DING-⟩⟩ that he knew it meant. That was the day of his death, but also the beginning of his adventure into another world.

In a parallel world filled with pet beasts, people tame, train, evolve, and trade beasts.

Qin Qing played a game and suddenly traveled to the world of Greek mythology and became Apollo, the God of light.

At this time, he discovered that the treasure chest system in the game had also traveled over.

Looking at the densely packed light spots on the map plate, he couldn’t help but fall into deep thought.

Um, Athena, don’t get me wrong, I’m just here to get a treasure chest. I didn’t break into your bedroom on purpose.

Zeus, please move your butt. My god-level treasure chest is under your throne.

Here, why is the super god treasure chest in Tartarus?

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On an apparent normal Sunday, Luke suddenly woke up after hearing a voice warning him of something weird. After assuming that it was just a bizarre dream, he felt an earthquake that nearly destroyed his dormitory. As if things weren't odd enough, a zombie suddenly appears in his room and targets him.Somehow, Luke survived several encounters against the zombies thanks to his skill Weapon Augmentation, but then he suddenly finds a mini-sized elf and a mini-sized dark elf telling him that they want to help.After a stranger offer, Luke learns that something very big is happening with the planet, and now he will have to find the strength to fight against zombies and all kinds of weird creatures that want his neck... he will do all that while avoiding being tempted by those two very suspicious elves.The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.