MTL - Immortal Mortal - v19 Chapter 1125 Yin wrong

At nineteen, Dexter was already one of the world’s most celebrated authors. His books topped charts. Critics praised his genius. Fans devoured every word. But behind the acclaim was a lonely boy—raised without parents, love, or real friends—just stories.He published his first novel at fourteen. By seventeen, he was a literary star. But the higher he rose, the hollower it felt.Then came the writer’s block. The headaches. The blackout. And the transmigration.Dexter awoke in the body of Daylan, a disgraced young man in a crumbling, medieval world laced with steampunk tech, divine law, and political unrest. Daylan had already failed two of the three sacred Trials—rites that determine one’s magical potential. He was drowning in debt, entangled in plots to overthrow a corrupt Divine Church, and branded a lost cause.With no way back, Dexter took the final Trial—the most brutal of them all—and began a path that would earn him the whispered title: Soldier, Poet, King.But as his powers grew, one question haunted him: Did he truly die? And if so, who—or what—chose to bring him back?

Tang Qiu was a substitute bride–forced to take her half-sister’s place and marry the young master of the Jiang family, a deformed cripple with less than 6 months left to live.

“Who would have thought that even a sickly whelp like Jiang Shaocheng would find himself a bride?”

“I hear that he’s practically on his deathbed and he’s only marrying the Fengs’ daughter to improve his lifespan.”

Tang Qiu ignored the whispers around her and focused on her husband-to-be, who coughed violently in his wheelchair. At the altar, after they had said their vows, she lifted her veil and knelt in front of Jiang Shaocheng, pressing a hesitant kiss to his lips.

The marriage contract was signed. No matter his physical deformities, he was now her husband.

She wasn’t afraid of the scars that marked his face, nor was she repulsed by him being confined to a wheelchair. Every morning, she made him breakfast, attended to his needs, and thought of little else beyond her duties as a wife.

“Young Master Jiang is a cripple who can’t get it up,” her best friend argued. “When he dies, you’ll still be untouched. You should set your sights higher.”

“A sickly invalid like Jiang Shaocheng can’t give you happiness,” her ex-boyfriend insisted. “I’ll wait for you.”

But Young Master Jiang only scoffed. “I have plenty of time left to be with her.”

Later in their marriage, Jiang Shaocheng wanted to enjoy his little wife in all ways–the press of her lips against his, the brush of skin on skin; the way a husband and wife were supposed to. But Tang Qiu refused him, blushing. “No, we can’t. The doctor says you can’t exert yourself.”

Jiang Shaocheng’s desire was surging through him, a heat in his core that demanded to be satiated. He cursed, I should have gotten rid of that doctor and the wheelchair long ago.

But he yearned to make love to his little wife, and so he revealed his true identity. In the blink of an eye, the deformed cripple transformed into a powerful businessman–tall, dark, and handsome. He quieted Tang Qiu’s protests, his body positioned over hers, his arms caging her as she lay on the bed. His voice was low when he asked, “What about now?”

The Scattered Arts, lost pages of manuals gathered from scattered archives from all across the world. Known also as the Old Arts, these are what remained from a vast collection of knowledge that was destroyed during the war that almost wiped out all of mankind. But we prevailed. Mankind rebuilt and reached for the stars.

Wang Xuan, a student of the Old Arts Research Department, had read about tales of individuals capable of inhuman feats, of practitioners ascending to the realm of immortality. But in an age of technological wonders, not many would believe in such tales. Only the truly desperate, and with the wealth and resources at their disposal, could even dream of unlocking the secrets behind these tales.

Corporate greed. This was how the research into the old arts started. But with new discoveries made in the New World, and the Old Arts declared obsolete in the way of the ‘New Arts’, the studies into the realm of the ancients is coming to an end.

Are the immortals real? Can mankind truly break its shackle of mortality and escape death? These are questions that Wang Xuan desperately sought to answer. He was determined to walk down the path of the Old Arts even as he reached for the stars beyond.

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