PREVIEW

... of Photography Michael Serresin had to go into the field himself, as a camera operator, or what some would call a shot.

  The director ordered to restore the original, and prepare for the second official shooting.

   In the chaotic reversing scene, the American camera pusher slipped out of the studio and dialed the phone again.

   At ten o'clock in the morning, everything on the scene returned to the initial test state, and Allen was ready to announce the second shooting.

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