PREVIEW

... days from the date of the question of Nangongyi, so that he is in deep regret in these two days...

......

The dungeon is damp and damp, and the Nangong wing's shawl is in the corner. He is dirty and countless flies are around him.

Originally, this was the life that Nangongyi, who was pampered, could not stand.

It’s been a long time, and I’m used to it...

"You can hear about one thing? The three-stream and second-rate forces in the mainland have recently given g ...

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Yan Yi Ming transmigrated into the hottest otome game at present. She became a female cannon fodder destined to be ruthlessly abandoned by the male protagonists; a stepping stone on the white moonlight female protagonist’s path to success.

The system informed her that only by replacing the female protagonist and becoming the white moonlight of the male protagonists then could she successfully escape and return to her world. After years of painstaking efforts, utilizing all kinds of strategies, and adopting various identities did she finally succeed in conquering the four male protagonists. She recovered her true body and eagerly awaited to go home but found that she was unable to go back.

A weak reminder from System:

Please read the user manual carefully: –

1. Become a white moonlight, and

2. To extricate oneself and make a successful retreat from the male protagonists.

Yan Yi Ming looked at the second condition and suddenly found herself in a pickle.

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Have you ever wondered what a character in a novel or in a game should be?

Do they eat? Sleep? Do they have their own life when you are not reading or playing?

They do not.

When you are not doing anything, we stay still.

To be fair, think about your own life. Is it different from a game without a system? You can not see behind your back, similar to how a character has to render it in a game.

But at least, you have your own life.

While I have to watch the protagonist of the novel find his way into the pants of the female leads.

This is my destiny.

I'm not jealous. Not at all.