PREVIEW

... ations of classical, cultural percussions, or the melodies one creates themselves.

If music aligns with the fantasy in one's mind, it is delightful for the listener. And if the music creates a fantasy of its own in one's mind, it is called a masterpiece.

There is no single theory of music. Even detuned notes sound beautiful when played by a professional. Music has no strict form. This is what Meloni believes and has always believed.

A young woman in her early twenties sat ...

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Much like Kyros, this Old Man was fated for suffering and defeat. Because the God of Time could not be killed, the Great Gods conspired to curse him and make him human first. And so the God of Time escaped but was now human. Even if he used his powerful magic to send his consciousness back in time, he would still be defeated, for his soul was no longer a god but a man.

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In a usurped kingdom , amid a war-torn and blood-soaked Italy, Conradin's battleground is set. To reclaim his birthright the crown of Sicily, he must tread a path paved with blood, learning that he must do whatever it takes to ascend the throne.

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In the year 1266, the tale of Conradin, the last scion of an ancient imperial dynasty, unfolds. His once-great kingdom, Sicily, has been ruthlessly usurped first by his own uncle and now rests in the hands of the cunning French Count Charles. Through a treacherous plot involving the Pope, Charles managed to oust the Hohenstaufen from the Kingdom of Sicily and crowned himself as its king.

In the East, powers such as the Despotate of Epirus are keenly observing the instability in Sicily, poised to seize any advantage that may arise from the chaos. Meanwhile, the small Italian communes are caught in the political crossfire, aligning themselves with one side of the conflict or the other based on the prevailing political party in power and their vested interests. These shifting allegiances turn the Italian peninsula into a powder keg, where all-out war seems inevitable.

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