Light Fortress - Chapter 22 - 21 Awakening of Insects

A replica of Marquis Kieran Vale, the son of the Marchioness of Vale, who she deemed a failure. That was all she was. No, she was now referred to as “he.” At least until she met Claude Del Ihar.

The era of mutations and survival!Can Jeremy Night become the hope of the Human Alliance?

The three-year marriage had been torturing her like shackles. Finally, she decided to break free from this cage, only to find that she was pregnant with triplets. When she was leaving, she had no choice but to leave her daughter, who was in critical condition due to premature birth, to her ex-husband, and then she flew far away with her two sons.Several years later, she returned to the country and wanted to secretly visit her daughter, but was discovered by her ex-husband!“Who are these two little boys?”“How do I know? Maybe they are your offspring.”The man gnashed his teeth and was about to snatch the sons away. She stopped him at once and said angrily, “Have you forgotten how you treated me before? How dare you take my sons by force?”He sneered and picked her up in his arms, saying, “Babe, my target is not them, but you!”

On an apparent normal Sunday, Luke suddenly woke up after hearing a voice warning him of something weird. After assuming that it was just a bizarre dream, he felt an earthquake that nearly destroyed his dormitory. As if things weren't odd enough, a zombie suddenly appears in his room and targets him.Somehow, Luke survived several encounters against the zombies thanks to his skill Weapon Augmentation, but then he suddenly finds a mini-sized elf and a mini-sized dark elf telling him that they want to help.After a stranger offer, Luke learns that something very big is happening with the planet, and now he will have to find the strength to fight against zombies and all kinds of weird creatures that want his neck... he will do all that while avoiding being tempted by those two very suspicious elves.The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.