I’m the Evil Lord of an Intergalactic State! - Chapter 97 - Vol. 6 Chapter 8 – The Names of Two People

Sports + time travel + system + blood

Traveling back to 2018, Su Bei of the Dragon Kingdom became a player of the Lakers. He got the McGrady template at the beginning, the finals, the World Cup in 19 years, the Olympic Games will not be a pity, and the boss (Kobe)…

At this moment, because of the arrival of Subei, the NBA’s small ball era has changed! ! !

James: “Sue, he is the best player.”

Durant: “What is the best offense, Su is the best textbook!!!!”

Adorable God Curry: “Su, is the ceiling of this era!!”

(This is a parallel world, don’t over-introduce some characters and plots, there are some small changes, in short, it’s very cool and beautiful.)

- Description from novelbuddy

Ye Chu is a miserable supporting character from a novel (she transmigrated).

She’s the most famous socialite in Shanghai, but her existence was to emphasize the magnificence of the white lotus female lead.

In the previous life, Ye Chu died in an accident. After rebirth (still in the novel), she didn’t only want to get revenge, but also change her fate, allowing every side character to have the opportunity to shine. Ye Chu and Lu Huai are a fake couple in their previous lives but reunited in this life.

They probed each other at every turn and slowly got closer to each other. They two fell for each other and confronted their enemies together.

- Description from Novelupdates

“Starting from here is where you will create Civilization”. It was the first sentence heard by over a million different players.

A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

Build a village, build a city, build a kingdom, forge friendships and keep your friends close. Make weapons and grow stronger.

What will our protagonist do in this world? And will the real world affect him in any way?

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.