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... all, he used to jump several miles high when he was a bigger fox. Now this weight was simply not worth mentioning. Only a judgmental human would see him and say that he was fat.


Four short legs were rolling like wheels in the air and the wind was moving at the speed of light. He was going the speed of light with all his strength! During the running process, Wen Jin seemed to have made a mask. His whole face was stretched out and his skin around his cheeks was blown to his neck.


...

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‘He’s so cute I want to kick him flying through the air.’

Bai Yao runs a seafood restaurant in a seaside town. One day, he saw a small sentient sea otter being bullied.

Out of pity, he helped out the little sea otter.

The sea otter acts quite defensively, baring his teeth, all while still covered in wounds yet to heal.

His way of saying thanks, is gifting Bai Yao an oyster in his pocket that’s been sitting there for who-knows-how-long.

Bai Yao ends up bringing the wounded and exhausted little sea otter back to his restaurant, giving him food and a shower.

Though the sea otter is still quite scaredy and defensive. He wouldn’t let Bai Yao rub his cute little face, or even ruffle his fur.

That’s not all the quirks of the little sea otter either. Bai Yao realised he’s a dummy that didn’t even know how to anthropomorphise.

Later that day, Bai Yao wakes up in the middle of the night, when there is something soft he’s holding in his hand.

He looks, and sees the little sea otter has put his paw in his hand. The sleepyhead is also snuggling on him, his head brushing against his chest.

Not feeling drowsy enough to sleep anymore, Bai Yao just props his head on his arm, watching until the otter finally wakes up.

When he finally does, he looks around, and sees that it’s Bai Yao; he squeaks, and then nestles his face against the fingers of Bai Yao.

Amused, Bai Yao asks, “oh? I thought you were a tough little guy that didn’t like petting?”

- Description from Novelupdates

The Poet's SystemChapter 45: Act of Adaptation
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At nineteen, Dexter was already one of the world’s most celebrated authors. His books topped charts. Critics praised his genius. Fans devoured every word. But behind the acclaim was a lonely boy—raised without parents, love, or real friends—just stories.He published his first novel at fourteen. By seventeen, he was a literary star. But the higher he rose, the hollower it felt.Then came the writer’s block. The headaches. The blackout. And the transmigration.Dexter awoke in the body of Daylan, a disgraced young man in a crumbling, medieval world laced with steampunk tech, divine law, and political unrest. Daylan had already failed two of the three sacred Trials—rites that determine one’s magical potential. He was drowning in debt, entangled in plots to overthrow a corrupt Divine Church, and branded a lost cause.With no way back, Dexter took the final Trial—the most brutal of them all—and began a path that would earn him the whispered title: Soldier, Poet, King.But as his powers grew, one question haunted him: Did he truly die? And if so, who—or what—chose to bring him back?

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“So, Diana, what's your excuse for betraying me?”

His amber glinted eyes bore into the woman with bloodied, broken blue hair, kneeling in complete disarray.

“... you're evil.”

“Oh, so, looking out for all of you makes me evil?”

The man narrowed his eyes, contemplating the echoes of protagonist halos and heroines' mentality, starkly real now.

Coming from a world far removed from such grim reality, he had read about these personalities in novels, but experiencing their shortcomings firsthand was a different story.

“How am I evil?”

He looked down at his foot where a young man, limbless and crushed, lay in a state of complete brokenness, mustering the little strength he had left to utter some words.

“... y.. you ba..stard, You killed millions.”

Hearing these words, the man's internal amusement grew at the absurdity of these hypocritical people.

He had eradicated all the evil organizations within the Empire after ascending to his throne.

Wars were waged to crush rebellious kingdoms that stood against his Empire, uniting the entire Heidal Continent under one flag—the Selvius Empire.

He shifted his gaze towards another woman with pink hair, her body completely broken, supported by a rock to maintain a semblance of balance amidst the devastation.

“Hmm, so what about you, Karina? Wasn't your family about to be executed by the Aidiac Royal family? Is it wrong for me to have intervened?”

“You killed them without mercy, and although you saved my family, it was not worth it.”

“I just saved—”

“It's bullshit. You could have solved everything peacefully without drawing so much blood.”

Hearing all this, the man began to understand why those novels depicted these people as hypocritical and low in intelligence.

If he hadn't saved them, they would have suffered the most gruesome fate.

Yet, despite being saved, these ungrateful individuals chose to blame him. The bitter irony of their ingratitude gnawed at him, leaving a bitter taste in his mouth.

“Guess you all have the same reasons.”

The man looked towards the seven people, their disdainful gazes directed at him.

He had only aimed to change their fates, to rescue some from slavery, others from crippling circumstances, and a few from inevitable betrayal.

Yet, they all blamed him for saving them, unable to comprehend that he had severed the root causes that would have subjected them to excruciating suffering.

“Hahaha.”

“Indeed, now I see.”

He now understood what those novels had tried to convey—'these idiots think this whole world works like they think it would.'

'System.........

……………………………………………………………

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“Villains aren’t born, they’re made...blah...blah...”Cute quote. Stick it on your Tumblr header next to your anime pfp.You boys love your villain stories, don’t you?You want carnage. Chaos. Control. You want a dark throne, a cold smirk, and a woman kneeling at your feet begging for mercy.But you?You don’t want to lift a damn finger.You’ll cheer for the villain as he kills a god, but cry when he gets betrayed.You call it “plot armor” when the hero survives—but call it “art” when the villain does the impossible.You’re not fans of villains.You’re fetishists.You want the violence, but not the silence after it.You want domination, but not the burden of being hated.You want power, but only if the story forgives you for it.You don’t read these stories to understand evil.You read them because you think you're too good to win the normal way.“Villains don’t play fair.”Exactly. That’s why you love them.Because you wouldn’t last a day in a world where strength mattered and excuses didn’t.You don’t want a villain’s life.You want his results.You want to watch him burn the world for a woman.But you’d cry if a girl left you on read.So tell me—What exactly are you rooting for?At least unlike you, I support heroes—the ones with boobs.You know the type.Tits squeezed into latex, thighs tight in spandex, preaching virtue with cum-drunk eyes the moment they fall into my arms but always end up screaming my name instead.She flies above cities, saving lives like it’s her job.But at night? She crashes into my arms, trembling, moaning, clawing at my back like I’m the only real thing she’s ever touched.Her cape drops before her guard does.But I don't need to tear it off.She hands it over herself—bit by bit, kiss by kiss, lie by beautiful lie.You ever felt a heroine's breath hitch in your ear as she begs you to stop pretending you're the bad guy?Ever watched the symbol of hope ride you like you're the last man left after the world ended?That's not conquest.That’s devotion, baby.Unfiltered. Undeniable.And the irony?They fall the hardest.Because no villain ever tried to understand them. No hero ever dared to see past the shine and into the ache beneath.But I do.I whisper into the cracks of their perfection.I plant kisses where they hide their pain.I fuck them where they forget to wear their strength.And when they break—when their moans turn to prayers, when their strength melts into submission—That’s when I rise.I’m not just some brooding misfit out for revenge, or a misunderstood loner sitting around hoping for a shot at redemption.I’m not a villain.I’m the SUPERVILLAIN—the kind your heroines moan for when the cameras are off and the capes are crumpled on my floor.