I Can Turn into a Fish - Chapter 162 - Seafood

Hikaru was living a peaceful life when the system sent him to a chaotic apocalyptic world. This world consists of many apocalyptic novels.

However, Hikaru was not the main character of this world but a villain.

Faced with countless protagonists from other novels, he has no choice but to try to survive.

He began to hoard food, build bases, and rob the main male lead's items. Hikaru struggled, fighting with the male leads.

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Li Che had transmigrated and, after living nineteen ordinary years, he opted to accept his fate, marrying and having children, striving to support his family.But the moment his daughter was born....Through his daughter, he rose in status, and his life was no longer ordinary....With his daughter’s safe birth, you gained a Dao Fruit, “Immortal Artisan”.When his daughter turned one, safe and sound, you gained the Dao Fruit “Dragon Elephant Vajra”.At his daughter's age of two, free from illness and disaster, he gained a Dao Fruit, “Pure Heart”.By the time his daughter was three, lively and clever, he gained a Dao Fruit, “Chess Saint”.His daughter was four, five, six years old.......Li Che discovered that with each passing year of his daughter’s age, he could condense a Dao Fruit to enhance himself.From then on, Li Che harbored a simple and unpretentious wish.A Dao Fruit a year, quietly safeguarding longevity.As a father, he only wished...Starting from the warmth of his wife and child by the hearth, to peacefully protect his daughter's immortality.Silently condensing countless Dao Fruits.Henceforth cultivating his spirit, invincible between heaven and earth.

The Demon Empire in the universe was reborn and came back! Enemies should kneel down in front of him! Beauties should lie down in front of him!

“I am a demon. I enslave gods and immortals! If you don’t succumb to me, I will convince you by force!”–Ye Feng!

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.