After Marrying a Vegetative Princess, I Went Crazy With Joy! - Chapter 244

Zhu Tong was born in a wealthy family, but the pampered young master suffered from a serious cleanliness addiction, and there were so many things that even God can’t stand it, so he was given a sickness and even coughed three mouthfuls of blood.

The day before his death, he was inexplicably bound to a system.

The system told him that he was actually a cannon fodder villain in a danmei novel who humiliated the heartthrob protagonist and suffered the consequences. If he wanted to survive, he had to find the only one in the novel, the white moonlight, who was not attracted to the protagonist and get full favorability from him.

In order to find him, Zhu Tong changed schools.

The new school was located in a remote small county with eight-person dormitories, a canteen for big pot meals, and only one public toilet in a teaching building.

Zhu Tong: In order to survive, he will endure!

- Description from Novelupdates

Dale Mitchell, your average guy in a below-average job. But, what happens to him is anything but average. After hitting someone in his truck, his world was turned upside down, inside out, and more than fifty shades of grey.

Now, he seems to be something called a World Keeper, and must create and manage his own world. Is this his afterlife, or something else entirely?

Fate, a gatekeeper who had been working for the castle, is beset by a few burdens.

“Starting from here is where you will create Civilization”. It was the first sentence heard by over a million different players.

A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

Build a village, build a city, build a kingdom, forge friendships and keep your friends close. Make weapons and grow stronger.

What will our protagonist do in this world? And will the real world affect him in any way?

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.